Category Archives: UK One-Hit-Wonders

turntable talk: out of the blue.

(Post by Colin ‘Jackie’ Jackson of Glasgow – July 2022)

Paul and I were, last week, again invited to join the TURNTABLE TALK chat on Dave Ruch’s blog, ‘A Sound Day.‘ This is an excellent site to visit and satisfy your musical curiosity on all genres of music, mainly focused on the 60s, 70s and 80s. Dave is a prolific writer and the articles are filled with fascinating facts and trivia.

This time around, we were looking at “out of the blue”… debuts that came out of nowhere and really took listeners by surprise. Albums, or singles, that made us turn our head and say “that’s great! Who is that!?”

What impact did this band or artist have on us, and how did their debut stack up against future work?

OUT OF THE BLUE

I’ll happily confess to being a bit of a grumpy old cynic. Not just when it comes to music, but to Life in general. Hey! I’m from the West of Scotland, that’s just how we’re built round these parts.

It means though, that as I grow older, very little actually surprises me now. If not exactly ‘wise’ I am at least an old man. I’ve seen it all. I’ve heard it all before. Give or take.

So my nomination for a song (and it is just a song – well, two if you count the B-side) comes from my youth.

I would have just turned thirteen when this song was released in the UK. My parents weren’t into the Beatles or Rolling Stones or anything like that – they listened to the soundtracks of ‘My Fair Lady’ and ‘South Pacific, or the military marching band sounds of The Royal Marines. I suppose it could be argued then that any ‘modern’ music came ‘out of the blue,’ to me.

At that age, I was becoming musically aware, though deprived the sounds of psychedelia and emerging heavy rock, my taste was, let’s say, a little on the innocent side. If I tell you the first three singles I bought were:

  1. The Sweet: ‘Coco.’ (June 1971)
  2. The New Seekers: ‘Never Ending Song of Love.’ (July 1971)
  3. Ken Dodd: ‘When Love Comes Around Again.’ (July 1971)

then perhaps you’ll understand how this particular track hit me like a bolt from the blue.

The fourth single I bought was ‘Sultana’ by Titanic.

Titanic were formed in 1969, and as I recall were billed as being from Norway. In fact, vocalist and main lyricist, Roy Robinson was from England. Not that there was much in the way of lyrics on this particular track.

They presented themselves, it appeared, as very ramshackle and espoused a laid back, hippie attitude. And I loved it!  This was a bit of a musical awakening for a fresh, new teenager. Here was an exotic sounding ‘foreign’ band, who didn’t conform to that clean-cut, wholesome image of the bands I was more familiar with. In fact, they looked downright skanky!

I was mesmerised by the tribal and rhythmic percussion. And that organ! It was all new to me back then, but I’d soon be searching out more music along these lines. Atomic Rooster would later become a firm favourite.

My copy of ‘Sultana’ shows it released as the ‘B-side’ to ‘Sing Fool Sing’ on the flip, though I think from reading other articles and books, the two tracks were effectively ‘Double A.’

Titanic: ‘Sultana.’

National radio chose ‘Sultana’ as being more favourable for daytime airplay, and it resultantly spent twelve weeks in UK charts, peaking at #5 on 24th October 1971.

There was nothing around as far I could hear, that was anything like this. It still passes the ‘originality’ test to this day. It was Titanic’s debut 7” release in UK, though curiously, both tracks were lifted from their second album ‘Sea Wolf,’ while the follow-up, ‘Santa Fé’ came from their eponymous debut LP of 1970.

Sadly, Titanicoh crap, I’m just gonna say it – sank without much trace after this early highlight in their career. In addition to those mentioned above, the band released a further four albums in the ‘70s and one in 1993 during a short-lived reunion.

These LPs don’t attract much attention by way of the second-hand market. They are not particularly sought after, which is great, because they are available to buy at vary reasonable rates. Personally, I love them – good, solid, early heavy rock with strong vocals, powerful drumming and of course that distinctive organ.

Several singles were lifted from those albums, none of which made any real impact either. So yes, Titanic were your archetypal ‘one hit wonders.’

The next 7” I bought as a thirteen year old was, ‘Tokoloshe Man’ by John Kongos, followed by releases from Slade / Alice Cooper / Free. My life-long journey into the love of Rock music had begun.

So yes, like the ocean liner Titanic had only one hit. But boy! What an impact!

Titanic

________________

UK One-Hit-Wonders: One Day at a Time (Lena Martell)

Alan Fairley: Edinburgh, April 2022

Living on a Prayer

It’s probably fair to suggest that a significant number of people who subscribe to this blog are familiar in some way with Maryhill, often referred to as the sparkling jewel in Glasgow’s crown, a tight knit working class community to the north west of the city.

You may have lived there, worked there (like me), visited your Granny there, fought there or, again like me, had the misfortune to support the under achieving football team which plays there.

Whatever your connection, you’re almost certain to be aware that the area is renowned for its contribution to Scottish culture, particularly within the realms of sport, music and acting via the not insignificant number of its alumni who have achieved recognition in these spheres.

Maryhill has, for example, produced high profile international footballers like Bertie Auld, Charlie Nicholas and current Scotland captain Andy Robertson. 

Famous actors from the area include Robert Carlyle (Trainspotting, The Full Monty), David McCallum (The Man from UNCLE, Colditz) and Sean Biggerstaff (whatever Harry Potter movie he was in).

Turning to music, Maryhill has spawned the world renowned Donovan who had a number of chart successes in the 60s and 70s with hits like Mellow Yellow and Sunshine Superman and the acclaimed blues singer Maggie Bell (claim to fame – many years ago I worked in the bank in Maryhill while the young Maggie worked in the wool shop across the road and she would often waltz into the bank with her war cry of ‘gies some change for the till, pal’.)

Maggie Bell

The musical dynamic took a significant twist in 1979 however when a 37 year old local singer, Lena Martell, released a single, One Day at a Time, which rose rapidly to Number 1 in the UK charts.

Martell had been singing professionally since the early 1960s and had shared stages with the likes of Frank Sinatra and Sammy Davis jr but of the 26 singles (not to mention nine albums) she had previously released, not one had  come close to entering the British top 40.

Her achievement with One Day… was all the more significant as she became part of an elite group of one hit wonders whose solitary hit had also topped the charts.

Why then, after all these years, all these singles/albums, all these tours, did this lassie from Maryhill finally enjoy some recording success?

The answer probably lies in the nature of the song.

Written by Kris Kristofferson, the song took the form of a prayer, asking for help and spiritual guidance from ‘sweet Jesus’ in the daily life of the singer and it no doubt resonated with the Christian record buying community.

Gospel music had been largely absent from the higher echelons of the hit parade in modern times although Judy Collins did reach the top ten in 1970 with her passionate rendering of Amazing Grace while the band of the Royal Scots Dragoon Guards mirrored her achievement two years later with an instrumental version of the hymn.

In summary, it’s realistic to assume that Martell’s hit was largely down to members of the Christian community rushing en masse to their local record shops to purchase the record and to give their faith the unique level of profile and exposure which only a chart topping single can generate.

Kristofferson may have penned the song but, in reaching the number one position, this Maryhill songstress achieved something that the country music legend had failed to achieve during his own stellar recording career.