Tag Archives: Blue

1971 – The Best Year in Music?

Once again we were invited to submit a piece to TURNTABLE TALK on Dave Ruch’s excellent ‘A Sound Day.‘ blog.
Dave’s site covers all genres and eras of music with insightful articles and great writing, and it’s well worth a visit.

This months topic was Those Were The Days My Friend.
Simply put, Dave was asking, what was “music’s best year.”

Here was my take on it….

This month’s Turntable Talk topic is a nice subjective one… ‘what was the best year for music?

Well, it’s no surprise to discover that every generation thinks their era was the best, which makes perfect sense – people’s memories are precious and music plays a major part in that.  

My musical consciousness began as a 10-year-old in the late 60s.
The Beatles were at their creative peak, The Stones, The Kinks and The Who were already established and there was plenty of radio friendly pop music on the radio courtesy of – The Monkees, Herman’s Hermits, Marmalade, etc.

Whilst I can remember some of it, truth be told I was too young to appreciate the cream of 60s music, with The Beatles, Dylan, Hendrix, Motown, Stax and the Laurel Canyon scene inspiring what was to follow.

And what was to follow was pretty special.

Take 1971 as an example.
Here’s a few albums you may of heard of….

  • The Rolling Stones – Sticky Fingers
  • Carole King – Tapestry
  • Led Zeppelin – Led Zeppelin IV
  • David Bowie – Hunky Dory
  • Marvin Gaye – What’s Going On
  • Rod Stewart – Every Picture Tells a Story
  • John Lennon – Imagine
  • Joni Mitchell – Blue
  • The Who – Who’s Next
  • T Rex – Electric Warrior
  • Cat Stevens – Teaser and the Firecat
  • The Doors – LA Woman
  • The Faces – A Nods as Good as a Wink to a Blind Horse
  • James Brown – Sex Machine
  • Don McLean – American Pie
  • Gil Scott Heron – Pieces of a Man
  • Jethro Tull – Aqualung
  • Pink Floyd – Meddle 
  • James Taylor – Mud Slide Slim 
  • Isaac Hayes – Shaft 
  • Yes – Fragile
  • Paul McCartney – Ram 

It’s staggering that the majority of theses artists were able to release landmark albums of such exceptional quality on an annual basis; sustaining a creative peak whilst still finding time to live a 70s rock ‘n’ roll lifestyle, which is no mean feat!

Included on this list are two of the top three albums of all time, according to music bible – Rolling Stone magazine‘s top 500 albums.
Marvin Gaye’s – What’s Going On and Joni Mitchell’s – Blue.

Another remarkable thing about this era was the diversity of the music.

Rock, pop, soul, reggae, jazz, country folk, glam, funk – it was one big melting pot.

In 1971 you would find Benny Hill rubbing shoulders at the top of the singles charts with Deep Purple and The Doors, and Jim Reeves swapping album chart positions with Led Zeppelin and Wishbone Ash.

In terms of the best year for music?

I think you could probably make a reasonable case for any year between 1967 and 1976, however, 1971 was seminal for me, it was the year I started going to record shops and buying albums, and it left a lasting impression.

Of course, I couldn’t afford to go record shopping every week, and whilst a 7yr old Jeff Bezos was still dreaming of Alexa in 71, every trip this 13yr old made to the record store was an event, and every purchase was critical.

I’m pretty sure the first album I purchased with my own money was Rod Stewart’s Every Picture Tells a Story.

(Ironically the opening line on track one, side one on Every Picture Tells a Story is one that summed up my record shop experiences up until I made my first purchase… “Felt some time feeling inferior”)

I remember travelling into the city to the record shop with a couple of mates – buzzing to be going with my own money, to make my own choices.

I can remember – the sense of privilege and belonging I felt for the first time in a record shop, as an active consumer rather than the annoying wee pleb who’d spend ages going through racks of albums, asking to hear tracks, with no intention (or means) of purchasing anything.

It made sense therefore that the record shops that made us feel welcome (or less unwelcome) were the one’s that got our business when we eventually made our buying decisions.

I can remember – the anticipation on the journey home, auditing the sleeve-notes, absorbing every bit of information, using the lyrics to sing along, a-cappella style on the top deck of the bus.

I can remember – when you got home the magic of placing the needle on track one, side one, and then settling back to hear that opening riff or vocal for the first time.

From Robert Plant’s “Hey, hey mama said the way you move” to Don McLean’s “Long, long time ago”.

From Keef’s “Brown Sugar” riff to the sax intro on “What’s Going On” – 1971 was the gift that just kept on giving.

If you need any further convincing, here’s a 1971 playlist to give you a taste of the year’s releases….

(Paul Fitzpatrick: London November 2022)

Both Sides Now

John Allan: Bridgetown WA, July 2022

If you can remember the 60s, you weren’t really there, is one of those often repeated phrases banded about by particularly annoying people.
Like the ‘you don’t have to be crazy to work here but it helps’ stickers some people have at their workplace.
One has an overwhelming desire to punch them in the face but you don’t –  unless it’s your last day of work which it probably would be if you pummelled the coupon of a fellow employee !

My version is…. ‘if you don’t have a Joni Mitchell album from the 70s, you weren’t really there’.

I won’t bore you with Ms Mitchell’s bio because you all know your way around Dr. Google but will say – and beware another cliché alert – she was and still is the soundtrack of many of our lives.

Emerging on the folk scene in the late 60s, she already had two albums, Songs to a Seagull and Clouds behind her.
The 70s were what really defined Joni, with eight releases over the decade.

The still folksy Ladies of the Canyon was followed by the achingly soul searching sparsity of  Blue.

For The Roses had a soft-rock feel before heading to a west coast jazz-rock vibe with Court and Spark.

With The Hissing of Summer Lawns, Hejira, Don Juan’s Reckless Daughter and Mingus came a full embrace of mainstream jazz and the top players of the time.

The next three decades spawned nine further releases culminating in the luscious 2000 recording Both Sides Now arranged and conducted by the very talented Vince Mendoza.

Who can forget that scene in the film Love, Actually when Emma Thompson’s character opens her Christmas present expecting a necklace only to find a Joni CD. Even I screamed BASTARD at the TV screen when the music started before grabbing the tissues.
A case of spontaneous tourettes and a bit of dust in my eye I think !

For the music theorists out there, Joni sings ‘Both Sides Now‘ in F# on the Clouds album and the same song in D on the aforementioned 2000 version. She’s dropped a major 3rd in 3 decades. I guess chain smoking will do that to you !

Oft singing about love and lovers, Joni does not shy away from the taboo subjects of sexual abuse both familial – ‘Cherokee Louise‘ and institutional – ‘Magdalene Laundries‘.

Words and music were not her only artistic outlet, by her own admission

Oh, I am a lonely painter
I live in a box of paints

Many self portraits adorn Joni’s record covers.

I was going to put together a playlist of my favourite Joni Mitchell songs but couldn’t decide what to choose. Instead I’ve collated my favourite Joni cover versions.

There are so many out there.

I hope you like them and if you don’t and we should meet up, please don’t punch me in the face !