Tag Archives: Bob Dylan

A Hard Pains A-Gonna Call

George Cheyne: Glasgow, October 2022

By the time I turned 15 I was well on my way to being worldly wise thanks to my parents, teachers and peers.

I knew how to eat, walk, talk, do sums, kick a ball, ride a bike, swim, neck a can of Tartan Special, get myself a paper-boy job and spend my hard-earned cash on records and going to gigs.

This was all learned behaviour. But nobody – and I mean NOBODY – could teach me how to dance with a girl at the local Saturday night disco.

Sure, you could watch others up on the dance floor from the safety of the side of the hall and it looked pretty straightforward.

A banging tune, just three minutes or so to throw some shapes and find a bit of chat…how hard could it be? Nigh-on impossible for me, as it turned out.

That teenage angst has stayed with me for almost 50 years and I can’t listen to the song I had my first dance to – Bryan Ferry’s “A Hard Rain’s A-Gonna Fall”, if you must know – without regurgitating that sense of pain from back then.

This would be late 1973, so the only dance-floor experience I’d had up to this point was the school dance – a clumsy collection of classmates hurtling around a hall with no coordination or finesse trying to do waltzes and such like.

There was, I suppose, an all-male jump-around to Slade’s “Cum On Feel The Noize” at the disco, but that hardly counts.

Dancing in front of a bedroom mirror to practice my dance moves was a non-starter, so I opted for that traditional Scottish warm-up – a shared half bottle of vodka and a couple of cans of Tartan Special.

It was during this illicit booze session that my fate was sealed.

Too many slugs of voddy and coke had loosened my tongue enough for me to start singing: Oh, where have you been my blue-eyed son? Where have you been, my darling young one?

Aside from the amount of drink taken, there was no rhyme or reason for belting out the opening lines of “A Hard Rain’s A-Gonna Fall”. Well, apart from liking Bryan Ferry and having blue eyes of my own, that is.

It was just a random song rattling around in my befuddled mind, but it was somehow seen by my tipsy mates as a sign from the Dance Gods.

“That’s it”, I was told, “If they play that song tonight, you have to get up and dance.”

“No bother,” I said, clearly emboldened by a few more gulps of vodka.

An hour or so later we were standing around like wallflowers at the local disco as the chart toppers of the day boomed out one after the other.

The odds of “A Hard Rain’s A-Gonna Fall” being on the playlist shortened dramatically when, unbeknownst to me, one of my pals went up to the DJ’s booth and requested the song.

Just for good measure, I was reminded of the promise I’d made about getting up to dance to Ferry’s interpretation of a Bob Dylan classic.

A song ironically about suffering

The net was closing in. One of my mates had the decency to say he’d be my wingman if the song was played to make sure I wasn’t flying solo.

Then, to my dismay, out the speakers came: Oh, where have you been my blue-eyed son? Where have you been, my darling young one?

Gulp! This was it, no turning back. Any thoughts of not going through with it were banished by a friendly push in the back from my wingman as he steered me towards four girls already up dancing.

They were only a couple of yards away, but those few stuttering steps somehow felt like a walk to the gallows.

Target 12 o’clock high. I tried to keep my focus as beads of sweat trickled in my eyes, down my back…everywhere, in fact.

Hold formation. Shoulders back, eyes front, make eye contact and remember to smile.

Target dead ahead. Keep smiling, clear throat and say: “Uh, widjuhliket’dance?” Thankfully, the noise levels disguised my mumblings and – it appeared to me, anyway – I had bagged a dance partner.

What I didn’t have was a wingman. He’d aborted the mission halfway through and returned to base.

I risked a half glance behind me and saw him standing with the rest of them in full wallflower pose, giggling and pointing in my general direction. Cheers, lads.

My legs felt as if they had been planted in quick-set concrete and restricted my movement to the waist up.

The result was a dance style which was somewhere between a Weeble toy trying to restore its balance after being pinged with full force and a hen with two broken wings trying to take flight.

Not at all embarrassing, then. To her eternal credit, my dance partner stuck with it despite the bizarre antics of the uncoordinated 15-year-old in front of her.

The song’s lyrics flashed through my mind during the five minutes and 20 seconds of torture I’d given myself. Trust me to pick a song which went on for ever.

The blue-eyed son in “A Hard Rain’s A-Gonna Fall” had stumbled on the side of 12 misty mountains, walked and crawled on six crooked highways, stepped in the middle of seven sad forests and been out in front of a dozen dead oceans.

No mention, you’ll notice, of him dying on his arse on a crowded dance floor. That particular embarrassment belonged to me and it’s why I still cringe whenever I hear the song all these years later.

Ferry’s haunting voice singing: Oh, where have you been my blue-eyed son? Where have you been, my darling young one? is enough to make me know a hard pain’s a-gonna call.

Btw, if I was looking for inspiration Ferry was no help, he sits on his arse all the way through the video. perhaps we had more in common than the colour of our eyes!

18 With A Bullet: Horse With No Name by America

Paul Fitzpatrick: London, April 2022

Selected 70s hits from across the pond

If like me you thought ‘Horse With No Name’ must have been written under a star-kissed New Mexico sky by a young troubadour then you’d only be half right.

It was actually written in a London bedsit and recorded at the home of Arthur Brown (yes, him of “Fire, I’ll take you to burn“) by Dewey Bunnell who was one third of a trio who imaginatively called themselves America because they were the sons of American servicemen stationed in Britain.

By 1971, the band still in their teens, had already released their debut album without much success and were packed off to Arthur Browns home-studio in Dorset by Warner Brothers with the brief to come up with a hit single.

Inspired by Salvador Dali paintings of surrealist deserts and fuelled with memories of growing up as airforce brats on military bases in Arizona and New Mexico. Early versions of the track were titled ‘Desert Song’ with Bunnell realising that the desert symbolised the tranquility he was searching for whilst the horse represented the means to reach this tranquility.

Released in December 1971, the song dovetailed perfectly with the singer-songwriter vibe of the time, which no doubt helped it to race up the UK charts, early January 72.

On the back of the songs European success, the bands debut album was re-issued to include the single and by March of that year, both the single and the album had reached the respective number one spots in the US charts, catapulting them to instant fame.


So far so good, but this rookie band and their mellow ‘soft-rock’ anthem would hit a few speed bumps along the way to the top of the charts.

On initial hearing, a large majority of people thought they were actually listening to Neil Young and when they realised it was a bunch of rookies mimicking their idol it resulted in a backlash from Neil’s loyal army of fans.
As fate would have it when the song eventually did get to number one, the record it knocked off the top perch was, you’ve guessed it, Young’s ‘Heart of Gold’.
(get it up ye Neil!)

Neil and his followers were far from happy that he’d been trumped by these young imposters, but to be fair, Bunnell never hid his admiration for Young and admitted that he’d always been a big influence on the band.

Apart from the accusation of plagiarism, the band also had to fend off allegations that the song contained sinister undertones, namely that the ‘Horse’ in the song, was a (not so subtle) reference to heroin.
Accused of promoting narcotics, radio stations in Kansas banned the song due to this misplaced reasoning.

Then, if that wasn’t enough, at a time when Bob Dylan’s verbal dexterity was the benchmark for troubadours, the band came under fire from critics and fellow artists alike… (step forward Randy Newman), for the simplistic nature of the songs lyrics…..

There were plants and birds and rocks and things

In his defence Bunnell explained that he was a teenager when he wrote the song in a mates bedsit and it was completed in under two hours as the lyrics and melody just came to him, as if he’d awakened from a dream.

Before starting this piece I wasn’t aware of any cover versions of note until I discovered that Michael Jackson had sampled the main acoustic riff from the song for a track released posthumously, called ‘A Place With No Name’.

It’s actually worth a listen, the trademark MJ grunts and yelps combined with the original two-chord backing track shouldn’t really work, and maybe they don’t, but it’s an interesting coming together.

Michael Jackson
Janet Jackson

This of course wasn’t the first time a Jackson family member had sampled a track by the band.
Janet Jackson also sampled America and their song ‘Ventura Highway‘ several years earlier on her platinum hit – ‘Someone To Call My Lover

No wonder Dewey Bunnell is worth a few quid!

Like a lot of classic 70s songs the popularity of ‘Horse With No Name’ has endured and finds new audiences with every generation.

As a recent example, who can forget the viral video of the young Amsterdam couple interpreting the song in their own way during the recent lockdown….