Tag Archives: hall & oates

All Aboard the Yacht

Paul Fitzpatrick: London, May 2022

A common ice-breaker in the 70s was… “what kind of music are you into?”

Typical responses would be – Rock, Punk, Reggae, Soul, Prog, Glam, etc, but you’d rarely hear anyone reply…. ‘Smooth, light and catchy’.

However, if you were into the Doobie’s (Michael McDonald era), The Eagles, Hall & Oates or Christopher Cross in the late 70s then ‘smooth, light and catchy’ was fundamentally what you were buying into.  

It was a sound that was initially classified as ‘Soft Rock’ or ‘Adult Orientated Rock’…. not a description you’d want to crow about.

Fast forward 30 years and the very same sound was revived, repackaged and re-christened as ‘Yacht Rock’ (YR) by a bunch of guys who set up a comedy web-series that both lampooned and paid homage to the genre.

‘Yacht Rock’ the web-series, is set in LA’s Marina del Rey and fictionalises the life’s of 70s musicians like Michael McDonald, Hall & Oates, The Eagles and Steely Dan as they hang out, bicker and make music.

The show quickly attained cult status, with John Oates crediting it for rekindling interest in Hall & Oates as well as introducing a younger fanbase to the band.

If you haven’t seen it, it’s fun and well worth a catch-up on YouTube. It’s an easy watch with each episode lasting about 5 minutes.


The golden-era of Yacht Rock fell between 1976 to 1984 and whilst it’s a tricky genre to define, the music can be characterised as smooth and melodic, typically combining elements of jazz, soul, and rock….. the perfect music to listen to whilst you chill out on a yacht basking in the Californian sunshine… quaffing a few margaritas.

In terms of identifying the archetypal Yacht Rock sound, the following factors commonly apply…

High production values.
The inclusion of elite studio musicians and producers.
Lyrics about heartbroken foolish men, with bonus points if the word ‘fool’ is featured.
An upbeat rhythm driven by the electric piano, nicknamed the ‘Doobie Bounce’.

A perfect example of a Yacht Rock classic that ticks all the boxes is the Doobie Brothers… ‘What A Fool Believes’.


Following the web-series, the interest in Yacht Rock escalated and what started life as a parody developed into a bona fide genre, initiating documentaries, books, compilation albums, radio channels, playlists, live events, tribute bands and podcasts.

Initially an American phenomenon, Yacht Rock tribute bands and events are pretty widespread now and the inherent humour inspired by the web-series lives on, with bands like….. ‘Hot Dads in Tight Jeans’ and ‘Yachty by Nature’

Whilst the tribute-band scene flourishes in bars and smaller venues the appetite from the masses for the original acts is still very much alive.
Guys like Steely Dan, Fleetwood Mac, The Eagles, The Doobie Brothers and Hall & Oates, are still selling out stadiums and larger venues whilst rolling out their 70s Yacht Rock hits.


It’s a tribute to its longevity and quality that the Yacht Rock sound is still actively being produced today, with new bands like ‘Young Gun Silver Fox’, and established artists, like Thundercat, who recently cut a track with Michael McDonald & Kenny Loggins on vocals.

Ironically, for a genre that started out as a bit of fun, Yacht Rock can be taken a bit too seriously by some YR aficionados who like to go into great detail about why certain bands or songs attain Yacht Rock status whilst others don’t.
In answer to this, and with typical humour, a bunch of yacht rockers set up a website called Yacht or Nyacht? To help the uninitiated identify what’s yacht and what’s not!
https://www.yachtornyacht.com/

Truth be told, Yacht Rock escapes exact definition, and it’s hardly an exact science. For many listeners, it comes down to a feeling or a mood that can’t be found in other types of music
Simply put…. you’ll know a YR track when you hear it, but at least when anyone asks you what type of music you’re into you, you can now find a better way of saying ‘Smooth, light and catchy’.

I had fun collating a short Spotify playlist of some of my favourite Yacht Rock classics, (although a couple may be on the Nyacht list!) link below….

Bonus points for anyone who can identify how many tracks Michael McDonald features on?

18 With A Bullet – She’s Gone by Hall & Oates

Paul Fitzpatrick: London, April 2022

Selected 70s hits from across the pond

She’s Gone by Daryl Hall & John Oates

I can remember the first time I heard this song….

It was on an overnight coach journey from Glasgow to Blackpool for the September weekend in 1974. The lights on the coach were dimmed and the sax solo and wah-wah guitar seeped into my consciousness as I was entering that transitional stage from wakefulness to sleep

I went to buy the single as soon as I could but on the advice of the record store I ended up buying the album, ‘Abandoned Luncheonette,’ as it featured an unedited version of the song.

That turned out to be one of my smarter decision as it’s still a favourite to this day.

Despite high hopes the single and album sank without trace and Hall & Oates disappeared from the scene.
You can’t keep a good duo down however, and they came storming back in 76 with a stunning blue-eyed soul classic called ‘Sara Smile’ which would become a mega hit for them in the US.

On the back of this new found success, ‘She’s Gone’ was dusted down and re-released, and started to get the airplay and credit it deserved, becoming their next big hit.

The song, co-written by the duo was inspired by a New Years Eve date that never happened when John Oates got stood up and returned to his New York apartment alone and despondent, but with an idea for a song.


The resultant track and album was produced by the legendary Atlantic producer, Arif Mardin who’s credits include Aretha Franklyn, The Average White Band, George Benson, Chaka Khan, Carly Simon, Donny Hathaway and The Bee Gees.

If the song deserves high praise then it’s fair to say that the home-made promotional clip they made to support it in 1973 is not in the same league.

To put it in context the video was the duo’s two-finger response to their home town Philadelphia’s version of Top Of The Pops, and a request by them to lip-synch to the song during a live studio performance.

Aggrieved at the thought, Hall & Oates made their excuses, cut the home made video in an afternoon and sent the clip to the show.


On viewing the video the show refused to play it and were so offended by its content that they banned Philly natives, Hall & Oates from ever appearing on the show again, whilst also trying their damnedest to get the song banned from every radio station in Philly.

The video features Hall & Oates, their road manager and Sara Allen, Hall’s girlfriend at the time and the very same Sara from ‘Sara Smile’.

There are a few decent covers of ‘She’s Gone’, including a Lou Rawls version, but the best known is by the American soul/disco band, Tavares who’s version provided them with their big breakthrough hit in 1974.

In fact, when Hall & Oates re-released their original version of ‘She’s Gone’ two years later in 1976, most people complimented them on a great cover of a Tavares song!

Hall and Oates never looked back and would go on to become the most successful duo of all time with six number ones, eclipsing Simon and Garfunkel and the Carpenters.

Sidekicks

Paul Fitzpatrick: London, June 2021

The Lone Ranger, Sherlock Holmes, Batman, Dorothy… fictional characters I grant you, but all universally feted and admired.

But they didn’t do it alone, and although we all know who their sidekicks were, no one talks much about them, because at the end of the day, they’re the flunky’s, and who’s really interested in the support act? Unless its Queen supporting Mott the Hoople at the Apollo…. and that was nearly 50 years ago!

The sidekick’s are the perennial betas to the main event’s alpha’s… the show-stoppers who always seem to have greater powers, more charisma, and most importantly, bigger ego’s, than the supporting cast.
Like a beloved pet the sidekick’s greatest attributes are typically noted as being devotion and loyalty.

Spare a thought then for the Tonto’s, Doctor Watson’s, Robin boy wonder’s and Scarecrow’s. In other words, the Diddy Kong’s of the world…..

There’s an old (and now probably, un-PC) saying that ‘behind every great man there’s a great woman’ and the same can be said with sidekick’s, think about it for a second…. as great as he was, would Bowie have been as good and as cocksure in the Ziggy era without Mick Ronson?
Likewise, would Ricardo Montalban’s, Mr Roarke have been as suave and sophisticated without Herve Villechaize’s Tattoo ringing the bell tower whilst bellowing “The Plane, The Plane!” in Fantasy Island?  

As this is predominantly a 70s blog the aim of the exercise is to identify the most impressive 70s sidekick, fictional or otherwise, so I’ve listed 5 nominees below which you can vote for on our Facebook page as well as putting forward any of your own nominations…..
https://www.facebook.com/groups/onceuponatimeinthe70s

1) Kenickie Murdoch (Jeff Conaway) Grease, (sidekick to Danny Zuko)

In Grease, the movie, Kenickie was played by Jeff Conaway of Taxi fame and was part of the original Broadway cast of Grease – where incidentally he played the lead role of Danny Zuko whilst his good mate Travolta played Doody, one of the putzy T-Birds.

Although Kenickie was cast as the sidekick it could be argued that he was cooler than Zuko… borne by the fact that not only was he the proud owner of Greased Lightnin’, but he also didn’t mope about a kids swing-park greeting about getting chucked by someone who must have repeated 4th year 5 times!

Plus with a name like Murdoch he obviously came from good Scottish stock! 

2) Igor (Marty Feldman) Young Frankenstein (sidekick to Dr Frederick Von Frankenstein)

Played by the brilliant Marty Feldman, Igor was the hunchbacked, bug-eyed servant who when asked by the good doctor why his hump kept changing sides, answered “what hump?”.

‘Eye-gore’ as he liked to be known was Dr ‘Fronkenshteen’s’ hapless assistant and was responsible for the mayhem that ensued by collecting a brain labelled ‘Abnormal’ rather than the brain of the revered and brilliant historian, he was sent to secure.

If his star turn in one of the funniest movies of the 70s wasn’t enough, Feldman’s further claim to fame was that his ‘Walk this way’ line from the film was adopted by Steven Tyler of Aerosmith, who saw the movie, went back to the studio and wrote a song…. the rest as they say is history.

The Movie
The Song

3) John Oates Singer/musician in Hall & Oates (sidekick to Daryl Hall)

Hall & Oates were often described as…..
‘the tall, blonde, good looking one with the unbelievable vocal range and the wee guy with the curly hair and moustache’.

There’s no doubt then that Oates played second fiddle to Daryl Hall, but as sidekick’s go it was a pretty decent fiddle.
 
Oates wrote or co-wrote many of the pairs big hits including She’s Gone, Sara Smile, You Make my Dreams and I Can’t Go for That, and whilst he didn’t have Hall’s vocal range or stage presence, his harmonies, co-vocals and guitar playing were key to the band’s success (see clip below).

Hall & Oates may not have been equals in terms of talent and their partnership wasn’t as egalitarian as Lennon & McCartney, but Oates was certainly no Art Garfunkel.


4) Dennis Waterman Perennial sidekick: to Jack Regan in The Sweeney and Arthur Daley in Minder.

A seasoned thespian who performed with the Royal Shakespeare Company at 13. Waterman was 27 when he appeared in The Sweeney as Detective George Carter, the hard-drinking, brawling, womanising, good-cop to John Thaw’s caustic Regan.

Waterman’s next big role in Minder, as a brawling, womanising ex-con who becomes a personal bodyguard wasn’t too much of a stretch then.

In a cruel twist of fate, Minder was actually devised post-Sweeney as a star vehicle for Waterman who relished the chance to shine after three seasons of playing the sidekick in The Sweeney.
Cole’s part as Arthur Daly was meant to be a secondary/supporting role, however after a few episodes it was evident that Daly’s character was playing big with the audience, so the scripts and storylines were revised, leaving poor Dennis to fall back into his customary role as a sidekick once again.

5) Chewbacca Wookie (sidekick to Han Solo)   

Enforcer, body guard and loyal soldier, Chewie is Han Solo’s co-pilot and best buddy.

The character was inspired by George Lucas’ dog so it’s no surprise that one of Chewie’s greatest attributes is the talent most associated with sidekick’s – loyalty.
Although he enjoys bringing the cocksure Solo down a peg or two every now and then, prompting the “Laugh it up fuzzball” retort, he is a faithful companion and would lay down his life for Solo…. a true sidekick!

Why are there no female sidekicks on the list??
I tried really hard to think of some but in almost all cases…. Sonny & Cher, Ike & Tina Turner, The Krankies, it was the bloke who was the sidekick!

I did think of one….. Peter Pan’s Tinker Bell but that was made in 1924.