Tag Archives: jukebox

Golden Years

Paul Fitzpatrick: London, May 2021

Every generation tends to think there era was best.

And why wouldn’t they… typically, every era has access to more ‘stuff’ and better lifestyle choices than the previous one.

For our generation (late Baby-Boomers born between 1954-1964), I think we hit the sweet spot culturally…. particularly when it comes to music.

My musical awareness began around 1968, just in time to catch the Beatles, and all the brilliant 70s artists that followed.
I look back now and realise that the 70s wouldn’t have been so prolific without the 60s…. with The Beatles, Dylan, Hendrix, Motown, Stax and the Laurel Canyon scene inspiring what was to follow.

And what was to follow was pretty special…….

The Rolling Stones, The Who, Steely Dan, David Bowie, Marvin Gaye, Elton John, Rod Stewart, Neil Young, Joni Mitchell, Paul Simon, The Eagles, Earth Wind & Fire, James Brown, The Doobie Brothers, Roxy Music, T-Rex, Little Feat, Fleetwood Mac, James Taylor, Diana Ross, Aretha Franklyn, Carole King, Carly Simon, Bob Marley, Parliament/Funkadelic, Bobby Womack, Pink Floyd, Al Green, Led Zeppelin, Bob Dylan, Van Morrison, Queen, McCartney, Lennon, Harrison , Yes, Genesis, AWB, The Bee Gees, Deep Purple, Linda Ronstadt, Curtis Mayfield, George Benson, Rory Gallagher, John Martyn, Todd Rundgren…. and many more

Whether you were a fan of some of these acts or not, the one thing they all shared was a prolificacy of output…. amazingly they all managed to release multiple albums of exceptional quality, whilst still finding time to compose, record, tour, collaborate and live a 70s rock ‘n’ roll lifestyle, with all the excesses that entailed.

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I’m with the band – On the road with Zep

Indeed, there was so much quality being produced in the 70s that for the first five or six years of the decade it seemed like there was a landmark release every other week.

Take 1971 as an example.

  • The Rolling Stones – Sticky Fingers
  • Carole King – Tapestry
  • Led Zeppelin – Led Zeppelin IV
  • David Bowie – Hunky Dory
  • Marvin Gaye – What’s Going On
  • Rod Stewart – Every Picture Tells a Story
  • John Lennon – Imagine
  • Joni Mitchell – Blue
  • The Who – Who’s Next
  • T Rex – Electric Warrior
  • Cat Stevens – Teaser and the Firecat
  • The Doors – LA Woman
  • Sly and the Family Stone – There’s a Riot Goin’ On
  • The Faces – A Nods as Good as a Wink to a Blind Horse
  • James Brown – Sex Machine
  • Don McLean – American Pie
  • Gil Scott Heron – Pieces of a Man
  • Jethro Tull – Aqualung
  • Pink Floyd – Meddle 
  • James Taylor – Mud Slide Slim 
  • Isaac Hayes – Shaft 
  • Yes – Fragile
  • Paul McCartney – Ram 
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71 A Classic Year

Included in this list from 71 are two of the top three albums of all time, according to Rolling Stone magazine….
Marvin Gaye’s – What’s Going On and Joni Mitchell’s – Blue.
Both seminal and often cited as landmark recordings by other artists and critics, but in truth just two excellent albums from a catalogue of exquisite releases.
There is a neat book about the quality of the music released in 1971 by David Hepworth who describes the year as ‘the most creative in popular music’

Anther remarkable thing about the 70s was the diversity of the music.

Rock, pop, soul, reggae, jazz, punk, folk, glam, funk….. it was one big melting pot where you could find Benny Hill rubbing shoulders at the top of the charts with Jimi Hendrix, Abba with Pink Floyd, and The Wombles with Stevie Wonder.

The 70s record buying public represented a ‘broad church’ of musical styles and tastes and they were all represented in the weekly top 30.

There was also a constant flow of talent breaking through in the 70s.
Take the chart below from July 1972 and you will see the emergence of a few acts making their chart debuts that month, who went on to do pretty well….
Roxy Music, Mott the Hoople, Alice Cooper, ELO

Another barometer of how good an era is, can be measured I think, by the interest in it from future generations.

Based on my own anecdotal evidence, I have a daughter who loves Gladys Knight and Marvin Gaye as much as she loves Beyonce or John Mayer and I have sons who dig Steely Dan, The Rolling Stones and Stevie Wonder as much as they dig Kings of Leon, Foo Fighters or Kanye West.

That only happens when the music is timeless…..

Talking of timeless music, the updated 70s Jukebox links are below.
There are 250 songs on the master playlist now, with the common thread being that they are all singles that would almost certainly have been playing on a jukebox somewhere in the 70s.

Thanks to everyone who contributed, it’s a playlist that’s been curated by you and not surprisingly our choices have proved to be a microcosm of the record buying public with a wide range of tastes and musical styles covered.

It was clear from the song choices coming through at the start that there were two distinctive threads –
Soul/Disco
Classic Pop/Rock

Therefore I’ve prepared two playlists….

1) The Ultimate Playlist which is the master playlist and features all 250 songs, tracks 1-150 are classic pop/rock songs and tracks 151-250 are soul/disco tracks…. select shuffle and it will churn out 17 hours of hit after hit, just like a great jukebox should.

2) The Boogie Nights Playlist features the 100 soul/disco tracks taken from the master playlist which you can boogie or smooch to….. just like a night up Joannas or your favourite 70s nightclub of choice!

Within each playlist I have tried to group the songs in a running order that makes sense but if you’re like me you’ll probably just hit ‘shuffle’, pour out your beverage of choice and boogie round the kitchen like it’s 1975…

To save the playlist to your Spotify library….. press the Spotify icon in the top right hand corner of the playlists above and when you’ve been transferred to the playlist on your own Spotify account, click the Heart icon to save the playlist to your library.

the way we were (Part 1)

Paul Fitzpatrick: April 2021 London.

According to the Harvard professor and cognitive psychologist Steven Pinker, mankind’s never had it so good.

He reasons that by almost every metric of human wellbeing, the world is getting better —everything from war, violence, and poverty (all declining) to health, wealth, happiness, and equality (all improving).

I’m not about to argue against the Prof or his logic but despite the obvious progress there are still a few things from the 70s that I’m sure we all miss.

I don’t mean major things, like – loved ones or youth or waistlines, they’re a given of course, however, I’m not talking about superfluous things either, like Golden Cups or Sea Monkeys.

I readily admit that my choices are all minor in the grand scheme of things but they’re particular to me….

1) Jukeboxes:
I know we can stream music from a grain of sand nowadays and Spotify can provide us with 70 million downloadable songs at the touch of a button, and really, I’m grateful for that, it’s progress, it really is.

But I do miss a great jukebox in a pub, because it’s the way it should be, it’s democracy at its finest, everyone has a choice and if the proprietors are smart and curate the best of each genre then it doesn’t matter if you’re a Rock fan and the jukebox is playing Dock of the Bay by Otis Redding or Wichita Lineman by Glen Campbell, the chances are you’ll still appreciate best in class.  

The alternative is generally hit or miss and usually in the hands of a disinterested staff member who’s happy to put on anything for a bit of background noise.

I’ve left pubs before because the music was so banal.

In my local they have an online jukebox system called Secret DJ where you can log-in using the pubs Wi-Fi and make your own choices (everyone that logs in has 3 free choices before you have to pay), there’s not a great selection to choose from to be honest but there’s a bit of Steely Dan & The Doobie Brothers & Al Green and of course Wichita Lineman & Dock of the Bay…

It’s not as good as a finely curated jukebox of course but it’s better than listening to Adele on a loop.

2) Robert Halpern:

In the late 70s one of the best nights out for me was a visit to The Pavilion in Glasgow to see a stage hypnotist called Robert Halpern.

I must have seen the guy 20 times at least, and over the course of a few years I dragged along everyone I knew to see his act… mainly for the show but also to witness their reactions, which were usually hysterical.

The premise of the show was pretty simple and never really changed.

He would hypnotise about 40 people every night.
Most of them hypnotised within the first 10 minutes of the show, unknowingly put under, whilst sitting in their seats.

He’d then home-in on about 12 principal characters (usually the mouthy ones) who would become the stars of the show.

I took a friend who on attending the show for the first time got hypnotised, and I watched it all unfold.

One minute he was sat beside me saying it was all claptrap the next he was trudging up to the stage like a zombie with his fingers clasped so tightly that his hands and arms were shaking.

At the end of the show my mate vehemently denied that he had been hypnotised and insisted that he’d been fully aware of everything that had gone on.

I so wished I had a camera phone back then to show him his ‘awareness’ at work.

He didn’t think it was strange at all, that…
He was up on stage in front of 1,500 people… Or that he was eating raw onions that supposedly tasted like sweet apples…. Or that he would start taking all his clothes off when he heard a certain song… Or that he was stuck to a chair that he couldn’t get out of for 10 minutes…. Or that he was trying to feed a carrot to a wooden horse…. Or that he believed the number 3 didn’t exist so when he counted his fingers, he had 11 digits… despite him working for a bank!

He said he was just performing for the benefit of the show, which I guess on some level is how ‘response to suggestion’ works… which is at the core of hypnotism.

Anyway, as you can probably guess, the star of the show every night as always, was the great Glasgow public.

There was always a gallus wee punter telling the hypnotist to ‘f*ck off ya clown!’ or a schemie laying into him with ‘do ya think I’m buttoned up the back, ya dobber!’.

At the height of his popularity this dobber was earning £25,000 per week, had added a Bengal tiger a set of gallows and a spaceship to his act and was swanning about in a Rolls Royce.

Halpern and baby tiger

Things didn’t end well for Halpern though.
A girl hypnotised by him marched off the front of the stage into the orchestra pit, when as part of the act he’d convinced her she needed a pee and was desperate for the bathroom.
She broke her leg, damaged her back and sued.

Halpern, a regular at the casinos, was by now allegedly bankrupt.

Even though I knew the drill I miss those shows, they were funny, chaotic, very live and obviously spontaneous.

One of my favourite parts was the wooden horse routine –

“when you wake up you will see a beautiful stallion, a Grand National winner, you love that horse and no one else is allowed to go near it, if anyone touches your horse you will be livid…. 1-2-3 Wake Up!”

Cue wee Glasgow punter when he wakes up and sees another wee Glasgow punter sitting on the wooden horse – “hey you, ya thieving b*stard, get aff my f*cking horse!!!”

3) Laugh out loud movies:

I never laughed so much in the cinema as I did in the 70s – Blazing Saddles, Life of Brian, Kentucky Fried Movie, Young Frankenstein, The Jerk, *Caddyshack, *Airplane, etc…

(*the last two were actually released early in 1980 but were devised & written in the 70s and filmed in 79, so I’m claiming them for the 70s)

Don’t get me wrong there have been some great comedies in subsequent decades – Borat, Step Brothers, In Bruges, In the Loop, etc, but nothing quite as hilarious as Mel Brooks and The Pythons at their best.

The depressing thing about a lot of those 70s movies however is that none of them would get made in todays ‘cancel culture’.

Don’t get me wrong, if something is genuinely offensive then it shouldn’t see the light of day, but nowadays a big section of society gets offended by everything and being outraged seems to give some people the right to take the moral high ground and say ‘I’m offended therefore I’m principled’…. permitting them to jump on whatever bandwagon is rolling through social media that week.

Creatively, this leads to a culture of fear and reduces risk taking, which in turn stymies talent and imagination.

Take Blazing Saddles as an example.. as brilliant as it is, that screenplay would never be pitched to studio execs today.

It’s mistakenly referred to as a racist movie by some, when in fact it’s actually one of the greatest anti-racist movies of all time…

Co-written by Richard Pryor, who also advised on the language, the films original title was Tex X: it was planned to be an homage to Malcolm X, and was conceived from the outset as an unflinching attack on racism

True, it requires a modicum of critical thinking to work out who the butt of the satire, sarcasm and absurdity is aimed at, but surely we can trust the general public to work that out for themselves without the need for a ‘3-minute racism warning message’ recently added to the start of Blazing Saddles (and Gone With the Wind) on HBO in America.

Likewise, was The Life of Brian really blasphemous or was Brian just “A very naughty boy” who happened to be born next door and on the same day as Jesus?

On reflection, maybe I’m using Movies as a means of bitching about todays ‘woke culture’, so I best stop there before I get cancelled!