There was a point in our mid teens when we felt it was time to cast the net a bit wider. We’d progressed from playing in the street, to going up the local park, then a bit further afield, but generally within a two mile radius of our base…. but a bit like tiger cubs there came a point when we were ready to explore and roam new territories.
Invariably all roads led to….. Glasgow
Looking back, going ‘up the toon’ to Glasgow city centre was a rite of passage, it’s what the older kids did and like raiding Vikings they usually returned laden with treasure….
A Wrangler denim jacket or a pair of Levis from Jean Shack
The new Bowie/Rod/Zep/T-Rex album from Listen/23rd Precinct/Virgin
A feather cut or suede-head from Cut n’ Dried or Fuscos
An Arthur Black shirt from well… Arthur Black’s Shirts & Slacks.
The desire to start making our own choices typically came at at a point when parents were still picking some of our clothes and ushering us to old-school barbers, where glossy headshots of Peter Marinello covered the cracks on the walls, and where condoms rather than coriander conditioners were on display – ‘something for the weekend sir?’
Even if you had the temerity to ask for a Peter Maranello they’d respond, “aye no problem”, pull out the electric razor (the big old clunky ones with the cord) and execute the only haircut they knew how to administer…. the one that invariably left you with a big red rash on the back of your neck for a week.
Seeing the older kids with their goodies and cool haircuts inspired some of us young uns’ to follow their trail, however, it was a pursuit that needed funding, which is why a couple of us started up a paper round when we were 14 whilst others took up delivering morning rolls. The disposable income we duly acquired was set aside for regular sojourns to Glasgow where we would aspire to emulate our elders. Swanning around town before a triumphant homecoming – brandishing our 23rd Precinct & Krazy House bags with pride.
Going up the town per se was nothing new, after all we’d had years of being chaperoned to DM Hoey’s and Freeman, Hardie & Willis for winter coats and sensible shoes. However, heading into town with your chums, with your own money burning a hole in your pocket, was a different proposition altogether, a proper adventure.
Once you’d been up a couple of times and knew your way around, part of the fun was going off-piste… exploring and navigating Glasgow’s grid system via lanes and backstreets and witnessing sites you’d rarely see in the Bearsden bubble – sites like adults blootered on Carlsberg Special Brew before lunchtime or witnessing the colourful characters that worked and hung around Paddy’s Market.
We could spend hours roaming around the town…..
Loitering in record shops – rummaging through the racks of vinyl and requesting to hear albums in the listening booths or the available headphones (Dark Side of the Moon with its stereophonic effects was always a good one).
Roving around department stores, from the sports dept, to the electrical dept, before bashfully taking in the sights and scents of the perfumery dept.
Visiting the legendary Tam Shepherds Trick Shop in Queen St, where the sickly scent of stink bombs was never far from the front door….. before heading to the rag-trade end of Argyle St, up towards the Trongate, where all the ‘on-trend’ clothes shops were housed.
A big part of the adventure of course was the journey…. for us it was the train from Westerton to Queen St or the ‘105’ double-decker (blue) bus that shuttled between Drumchapel and Buchanan St.
Our parents would always warn us about being careful, “keep an eye out for any trouble” but they probably didn’t realise that the biggest danger came from within and involved daft stunts like crossing live railway tracks to get from one platform to another or jumping off moving buses before our bus-stop… for a dare.
On reflection it showed that we probably, (no, definitely!) weren’t as ‘grown up’ as we thought we were. Fortunately though, despite a few scrapes and close calls, we all lived to tell the tale, and would subsequently watch on like a David Attenborough documentary as the generation below us took up the mantle and followed our lead.
In the meantime…. we of course, now veterans of stepping outside our comfort zone were preparing to take the next big step in our personal development…. getting served in pubs ‘up the toon’!
If you’re a Bowie fan you probably have a selection of his albums, tapes, cd’s and downloads in your music collection…. hit-after-hit stretching across six decades from 1969’s Space Oddity to 2016’s Blackstar.
For a few years though, until his WOW moment on TOTP in 1972, as implausible as it sounds, Bowie was on course to be a one-hit-wonder…. just like Thunderclap Newman with ‘Something in the Air’ or Norman Greenbaum with ‘Spirit in the Sky’
Then along came Ziggy Stardust and the rest as they say is history. Bowie went on to become arguably the most influential artist of the 70s…..continually reinventing his sound and persona and influencing the tastes of a generation along the way.
As an example of the latter, on October 1974 David Live was released, it was a decent album showcasing Bowie’s transition from Glam to Soul with a great version of Eddie Floyd’s ‘Knock on Wood‘, but what captured my attention as much as the music was the powder blue suit DB wore on the cover.
Up until this point Bowie’s wardrobe had consisted of elaborate Japanese jumpsuits, kimonos and leotards.
Distinctive, perhaps, but not the kind of thing you could buy in Top Man and wear to Shuffles night club on a dreich Saturday night in Glasgow!
Bowie’s cool new look was something we could relate to on the other hand, so on our next pay-day, a few of us travelled to Glasgow city centre to Jackson the tailors to order our own made to measure version of the tin-flute Bowie sported on the David Live record sleeve.
After a few weeks the suits were ready and when we hit the town that Saturday night we all felt ‘gallus’ in our high-waisted trousers, and double breasted jackets, as did half the male population of Glasgow, who seemingly all had the same idea!
I was pretty much hooked from the minute I saw Bowie perform Starman on TOTP in 72 and stayed a fan all the way through his career. I loved his 70s personas and of course the music, particular the Thin White Duke period which frustratingly he never talked much about… owing to the fact that he had absolutely no recall of making the Station to Station album!
In fact he was so bonkers and strung out during this period (75-76) that he reportedly kept his own urine in a fridge. This in part was due to a falling out with Led Zeppelin’s Jimmy Page….. Bowie became paranoid that Page (well known for dabbling in the occult) would engage some form of black-magic against him if he got hold of his bodily fluids.
Based in LA and weighing in at a meagre 7 stone, his diet at the time consisted of milk, peppers and heaps of Colombian marching powder. It’s well documented that Bowie fled this life of excess to regain health and sanity in Europe, specifically Berlin, and by the release of Heroes in 1977 he was in a much better place, both physically and mentally
I actually came into The Starman’s orbit very briefly in 1983.
I was working at Levis and we were developing a campaign to promote our 501 Jeans, which at the time, we couldn’t give away in the UK, in fact the only European country who sold them in any volume was Sweden.
UK retailers didn’t want to stock them as they were more expensive than regular Levis jeans and they reasoned that consumers didn’t like the American fit (low waist, straight leg).
Nonetheless, our chiefs in San Francisco had planned a global strategy around the 501. It was the original 5 pocket jean and the main point of difference for the brand in the US, where Levis was coming under threat from designer brands like Calvin Klein…. so we had no choice but to try and make it work in Europe.
A team was put together tasked with coming up with innovative ideas to support the 501 campaign in Europe and as a first step we came up with the simple idea of getting contemporary icons to wear 501’s by highlighting the fact that it had been the jean of choice for James Dean & Brando in the 50’s and guys like Springsteen were now wearing them.
It was a classic ‘seeding’ strategy which more or less consisted of gifting product to opinion leaders (musicians, actors, sportsmen, models, etc), in order to get the product seen on the right people.
It’s a concept that can work pretty well if all the planets align.
As an example…
In early 1983 we sent some Levis denim jackets to an up and coming band coming out of Dublin called U2. The lead singer Bono cut the sleeves off his jacket and wore it relentlessly. The band released the albums War and Under a Blood Red Sky and 83 became U2’s big breakout year hence Bono was everywhere… wearing his self-customised, sleeveless Levis jacket
As an example of seeding at work – around this time met I Charlie Nicholas in a Glasgow bar as we had a mutual friend, when Charlie heard I worked for Levis he asked me if I could get him a Levis denim jacket “to cut the sleeves off… same as Bono“.
Charlie wasn’t the only one with the same idea and within months, retailers started selling out of our denim jackets, sales tripled and we eventually had to increase our jacket production and develop our own sleeveless version.
The other avenue we explored was official sponsorship… ‘let’s get influential artists to wear and promote Levis by sponsoring their tours’. Everyone does this now but it was a new concept back then.
This was trickier than you’d think… some people in the room actually thought it would be a good idea to approach the gods of double-denim, Status Quo and there were a couple of Gary Numan fans in there as well… however to most it was clear we needed someone with gravitas, credibility and a wide appeal.
After some debate and research we discovered that Bowie was scheduled to launch his Serious Moonlighttour in support of his new album – Let’s Dance, so after some discussion he became the prime candidate.
To be honest we weren’t over optimistic that he’d go for it as he wasn’t big on commercial ventures but he liked the brand and the sponsorship helped to finance the tour… so the mighty DB came on board.
The concept worked so well that we repeated it over the next few years with tours and one-off events, but the tipping point for the brand in Europe came when we launched the famous 501 Laundrette ad with Nick Kamen in 1985, which also propelled ‘I Heard it Through the Grapevine’ to number one in the charts.
Ironically, the same retailers who claimed they couldn’t sell 501’s in 1983 were now begging for as much stock as they could get their hands on….
One of the conditions of most tour-sponsorship deals is for the acts to meet customers post-gig however we knew Bowie was never going to do meet and greets. Sting and Ultravox on the other hand were contracted to meet customers and prize winners briefly after their gigs, which they mostly did with good grace, particularly Midge Ure who was extremely affable.
My brief Bowie moment came when he popped into our London office to pick out some jeans and shirts, he looked incredibly healthy and was friendly and charming. He signed a few bits and pieces for some of us including a tour programme and the Let’s Dance album (pics below ) before making his exit.
In truth, I struggled a bit with the 90’s Bowie, particularly the Tin Machine period but I got back on board in the noughties…. a return to form, spring-boarded by his stellar Glastonbury performance in 2000 when he decided to give the people what they wanted…. a set-list made up of his best songs.
Although I’d been a big fan in the 70s I had never seen Bowie live and the first time I saw him perform was when we took some customers to see his Serious Moonlight gig at Murrayfield in Edinburgh in June 83.
The next time I saw him perform live was the most memorable. It was at the Hammersmith Odeon in October 2002, his first return to that venue since the shock July 1974 retirement announcement when he ‘broke up the band’ live on stage…. to their complete bemusement.
“Not only is it the last show of the tour, but it’s the last show that we’ll ever do. Thank you.”
It helped that we had fantastic tickets for that show, centre stage, six rows from the front. I’ve no idea how long Bowie was on stage for but it must have been close to 3 hours… he played 33 songs starting with Life on Mars, finishing with Ziggy Stardust and included a song he’d only ever played live once before… the majestic Bewlay Brothers from Hunky Dory.
I also saw Bowie the following year at Wembley arena on his last live date in London. He seemed so fit and healthy at 56 but six months later whilst still on the same gruelling ‘Reality’ tour he had a heart attack on stage in Hamburg and that proved to be his last ever gig.
He released an album in 2013, The Last Day, which raised hopes that he was fit and well but it all went quiet again, and then out of nowhere a new album – Blackstar dropped 3 years later on his 69th birthday, this was the encouraging news we’d all been waiting for… maybe we would even see him play live again?
He died two days after its release on the 10th of January.
There was much outpouring of grief when the news broke, he meant so much to so many people and it’s probably the only celebrity that I’ve ever felt sustained grief over. I had grown up with Bowie from age 13, my kids had grown up listening to him, he’d been a fixture in my life for 45 years, and suddenly he wasn’t there any more.
But even in the end Bowie did the most Bowie thing ever, bowing out on his own terms with an innovative, out-of-the-blue, jazz-infused album that we knew nothing about until the day of its release.
If you listen to the lyrics it’s an album made by a man who wasn’t ready to leave us but knew he wasn’t going to be with us for long. To this day I still find it hard to listen to that album…….
‘Something happened on the day he died Spirit rose a metre and stepped aside Somebody else took his place, and bravely cried’ “I’m a blackstar, I’m a blackstar”
All hail the Starman, we’ll never see his like again…..
My Bowie top 20 changes all the time, but for anyone who’s interested here’s this weeks selection….