Tag Archives: marvin gaye

1971 – The Best Year in Music?

Once again we were invited to submit a piece to TURNTABLE TALK on Dave Ruch’s excellent ‘A Sound Day.‘ blog.
Dave’s site covers all genres and eras of music with insightful articles and great writing, and it’s well worth a visit.

This months topic was Those Were The Days My Friend.
Simply put, Dave was asking, what was “music’s best year.”

Here was my take on it….

This month’s Turntable Talk topic is a nice subjective one… ‘what was the best year for music?

Well, it’s no surprise to discover that every generation thinks their era was the best, which makes perfect sense – people’s memories are precious and music plays a major part in that.  

My musical consciousness began as a 10-year-old in the late 60s.
The Beatles were at their creative peak, The Stones, The Kinks and The Who were already established and there was plenty of radio friendly pop music on the radio courtesy of – The Monkees, Herman’s Hermits, Marmalade, etc.

Whilst I can remember some of it, truth be told I was too young to appreciate the cream of 60s music, with The Beatles, Dylan, Hendrix, Motown, Stax and the Laurel Canyon scene inspiring what was to follow.

And what was to follow was pretty special.

Take 1971 as an example.
Here’s a few albums you may of heard of….

  • The Rolling Stones – Sticky Fingers
  • Carole King – Tapestry
  • Led Zeppelin – Led Zeppelin IV
  • David Bowie – Hunky Dory
  • Marvin Gaye – What’s Going On
  • Rod Stewart – Every Picture Tells a Story
  • John Lennon – Imagine
  • Joni Mitchell – Blue
  • The Who – Who’s Next
  • T Rex – Electric Warrior
  • Cat Stevens – Teaser and the Firecat
  • The Doors – LA Woman
  • The Faces – A Nods as Good as a Wink to a Blind Horse
  • James Brown – Sex Machine
  • Don McLean – American Pie
  • Gil Scott Heron – Pieces of a Man
  • Jethro Tull – Aqualung
  • Pink Floyd – Meddle 
  • James Taylor – Mud Slide Slim 
  • Isaac Hayes – Shaft 
  • Yes – Fragile
  • Paul McCartney – Ram 

It’s staggering that the majority of theses artists were able to release landmark albums of such exceptional quality on an annual basis; sustaining a creative peak whilst still finding time to live a 70s rock ‘n’ roll lifestyle, which is no mean feat!

Included on this list are two of the top three albums of all time, according to music bible – Rolling Stone magazine‘s top 500 albums.
Marvin Gaye’s – What’s Going On and Joni Mitchell’s – Blue.

Another remarkable thing about this era was the diversity of the music.

Rock, pop, soul, reggae, jazz, country folk, glam, funk – it was one big melting pot.

In 1971 you would find Benny Hill rubbing shoulders at the top of the singles charts with Deep Purple and The Doors, and Jim Reeves swapping album chart positions with Led Zeppelin and Wishbone Ash.

In terms of the best year for music?

I think you could probably make a reasonable case for any year between 1967 and 1976, however, 1971 was seminal for me, it was the year I started going to record shops and buying albums, and it left a lasting impression.

Of course, I couldn’t afford to go record shopping every week, and whilst a 7yr old Jeff Bezos was still dreaming of Alexa in 71, every trip this 13yr old made to the record store was an event, and every purchase was critical.

I’m pretty sure the first album I purchased with my own money was Rod Stewart’s Every Picture Tells a Story.

(Ironically the opening line on track one, side one on Every Picture Tells a Story is one that summed up my record shop experiences up until I made my first purchase… “Felt some time feeling inferior”)

I remember travelling into the city to the record shop with a couple of mates – buzzing to be going with my own money, to make my own choices.

I can remember – the sense of privilege and belonging I felt for the first time in a record shop, as an active consumer rather than the annoying wee pleb who’d spend ages going through racks of albums, asking to hear tracks, with no intention (or means) of purchasing anything.

It made sense therefore that the record shops that made us feel welcome (or less unwelcome) were the one’s that got our business when we eventually made our buying decisions.

I can remember – the anticipation on the journey home, auditing the sleeve-notes, absorbing every bit of information, using the lyrics to sing along, a-cappella style on the top deck of the bus.

I can remember – when you got home the magic of placing the needle on track one, side one, and then settling back to hear that opening riff or vocal for the first time.

From Robert Plant’s “Hey, hey mama said the way you move” to Don McLean’s “Long, long time ago”.

From Keef’s “Brown Sugar” riff to the sax intro on “What’s Going On” – 1971 was the gift that just kept on giving.

If you need any further convincing, here’s a 1971 playlist to give you a taste of the year’s releases….

(Paul Fitzpatrick: London November 2022)

18 With A Bullet – Midnight At The Oasis by Maria Muldaur

Paul Fitzpatrick: London, April 2022

Some songs are ubiquitous… you’re not even sure where or when you first heard them. They seem to drop out of the ether and once heard you just can’t get them out of your head.

So it is with Maria Muldaur’s sublime ‘Midnight at the Oasis’

I didn’t know much about Muldaur in 1974 apart from the fact that she was a latin beauty, with a distinctive voice and had recorded one of the best singles of the year.

Born in New York as Maria D’Amato, Muldaur was part of the Greenwich Village scene alongside Dylan before her self-titled, debut album was released in 1973 featuring ‘Midnight at the Oasis’

Set in a desert trapping, the song centres on a romantic but playful encounter, where the female protagonist takes the lead….

I’ll be your belly dancer, prancer. And you can be my sheik

Sensual and evocative, Muldaur’s song, alongside those by Barry White, Donna Summer and Marvin Gaye, is (anecdotally) credited as being one of those songs that a lot of 70’s babies were ‘conceived to’.

Beautifully crafted, the musicianship on the track is superb as would be expected from some of the best session musicians of the day, with drummer Jim Gordon, who is credited by Muldaur with coming up with the songs groove, probably being the most heralded.

Gordon’s impressive canon of work includes, Layla with Derek & The Dominoes, My Sweet Lord with George Harrison and Steely Dan’s – Rikki Don’t Lose That Number.

Tragically, the drummer is currently in prison, sentenced in 1984 for killing his mother with a hammer and a butchers knife.
Unbeknown at the time, Gordon suffered with acute schizophrenia which wasn’t diagnosed until after his arrest.

Midnight At The Oasis was a top 10 hit in the US for Muldaur in 1974. It also did well in Canada and Australia but only scraped into the top 30 in the UK and would be her only UK hit.
It was one of those classic radio songs that was popular across all formats and crossed over all musical tastes.

Muldaur who went on to release nearly 40 albums also collaborated with The Doobie Brothers, Linda Ronstadt and Elvin Bishop whilst touring extensively with the Grateful Dead, as both a support act and a backing vocalist.
Her last album, released in 2021, was a jazz/ragtime album.

There have been several covers of Midnight At The Oasis over the years, the most prominent being the 1994 remake by acid-jazz aficionados Brand New Heavies, which became a bigger hit in the UK than the original.

Reflecting on her breakthrough hit, Muldaur reminisced that Midnight At The Oasis was a last minute addition to her debut album as the producer required ‘one more track’ to complete the session.
So in an ironic twist of fate a track that was basically an afterthought and an ‘album filler’ went on to become Muldaur’s signature tune.

Muldaur now 78, still performs the song live at every show and takes great pride in the fact that no two performances of the song are ever the same.

Golden Years

Paul Fitzpatrick: London, May 2021

Every generation tends to think there era was best.

And why wouldn’t they… typically, every era has access to more ‘stuff’ and better lifestyle choices than the previous one.

For our generation (late Baby-Boomers born between 1954-1964), I think we hit the sweet spot culturally…. particularly when it comes to music.

My musical awareness began around 1968, just in time to catch the Beatles, and all the brilliant 70s artists that followed.
I look back now and realise that the 70s wouldn’t have been so prolific without the 60s…. with The Beatles, Dylan, Hendrix, Motown, Stax and the Laurel Canyon scene inspiring what was to follow.

And what was to follow was pretty special…….

The Rolling Stones, The Who, Steely Dan, David Bowie, Marvin Gaye, Elton John, Rod Stewart, Neil Young, Joni Mitchell, Paul Simon, The Eagles, Earth Wind & Fire, James Brown, The Doobie Brothers, Roxy Music, T-Rex, Little Feat, Fleetwood Mac, James Taylor, Diana Ross, Aretha Franklyn, Carole King, Carly Simon, Bob Marley, Parliament/Funkadelic, Bobby Womack, Pink Floyd, Al Green, Led Zeppelin, Bob Dylan, Van Morrison, Queen, McCartney, Lennon, Harrison , Yes, Genesis, AWB, The Bee Gees, Deep Purple, Linda Ronstadt, Curtis Mayfield, George Benson, Rory Gallagher, John Martyn, Todd Rundgren…. and many more

Whether you were a fan of some of these acts or not, the one thing they all shared was a prolificacy of output…. amazingly they all managed to release multiple albums of exceptional quality, whilst still finding time to compose, record, tour, collaborate and live a 70s rock ‘n’ roll lifestyle, with all the excesses that entailed.

This image has an empty alt attribute; its file name is groupies.jpg
I’m with the band – On the road with Zep

Indeed, there was so much quality being produced in the 70s that for the first five or six years of the decade it seemed like there was a landmark release every other week.

Take 1971 as an example.

  • The Rolling Stones – Sticky Fingers
  • Carole King – Tapestry
  • Led Zeppelin – Led Zeppelin IV
  • David Bowie – Hunky Dory
  • Marvin Gaye – What’s Going On
  • Rod Stewart – Every Picture Tells a Story
  • John Lennon – Imagine
  • Joni Mitchell – Blue
  • The Who – Who’s Next
  • T Rex – Electric Warrior
  • Cat Stevens – Teaser and the Firecat
  • The Doors – LA Woman
  • Sly and the Family Stone – There’s a Riot Goin’ On
  • The Faces – A Nods as Good as a Wink to a Blind Horse
  • James Brown – Sex Machine
  • Don McLean – American Pie
  • Gil Scott Heron – Pieces of a Man
  • Jethro Tull – Aqualung
  • Pink Floyd – Meddle 
  • James Taylor – Mud Slide Slim 
  • Isaac Hayes – Shaft 
  • Yes – Fragile
  • Paul McCartney – Ram 
This image has an empty alt attribute; its file name is 1971-albums1.jpg
71 A Classic Year

Included in this list from 71 are two of the top three albums of all time, according to Rolling Stone magazine….
Marvin Gaye’s – What’s Going On and Joni Mitchell’s – Blue.
Both seminal and often cited as landmark recordings by other artists and critics, but in truth just two excellent albums from a catalogue of exquisite releases.
There is a neat book about the quality of the music released in 1971 by David Hepworth who describes the year as ‘the most creative in popular music’

Anther remarkable thing about the 70s was the diversity of the music.

Rock, pop, soul, reggae, jazz, punk, folk, glam, funk….. it was one big melting pot where you could find Benny Hill rubbing shoulders at the top of the charts with Jimi Hendrix, Abba with Pink Floyd, and The Wombles with Stevie Wonder.

The 70s record buying public represented a ‘broad church’ of musical styles and tastes and they were all represented in the weekly top 30.

There was also a constant flow of talent breaking through in the 70s.
Take the chart below from July 1972 and you will see the emergence of a few acts making their chart debuts that month, who went on to do pretty well….
Roxy Music, Mott the Hoople, Alice Cooper, ELO

Another barometer of how good an era is, can be measured I think, by the interest in it from future generations.

Based on my own anecdotal evidence, I have a daughter who loves Gladys Knight and Marvin Gaye as much as she loves Beyonce or John Mayer and I have sons who dig Steely Dan, The Rolling Stones and Stevie Wonder as much as they dig Kings of Leon, Foo Fighters or Kanye West.

That only happens when the music is timeless…..

Talking of timeless music, the updated 70s Jukebox links are below.
There are 250 songs on the master playlist now, with the common thread being that they are all singles that would almost certainly have been playing on a jukebox somewhere in the 70s.

Thanks to everyone who contributed, it’s a playlist that’s been curated by you and not surprisingly our choices have proved to be a microcosm of the record buying public with a wide range of tastes and musical styles covered.

It was clear from the song choices coming through at the start that there were two distinctive threads –
Soul/Disco
Classic Pop/Rock

Therefore I’ve prepared two playlists….

1) The Ultimate Playlist which is the master playlist and features all 250 songs, tracks 1-150 are classic pop/rock songs and tracks 151-250 are soul/disco tracks…. select shuffle and it will churn out 17 hours of hit after hit, just like a great jukebox should.

2) The Boogie Nights Playlist features the 100 soul/disco tracks taken from the master playlist which you can boogie or smooch to….. just like a night up Joannas or your favourite 70s nightclub of choice!

Within each playlist I have tried to group the songs in a running order that makes sense but if you’re like me you’ll probably just hit ‘shuffle’, pour out your beverage of choice and boogie round the kitchen like it’s 1975…

To save the playlist to your Spotify library….. press the Spotify icon in the top right hand corner of the playlists above and when you’ve been transferred to the playlist on your own Spotify account, click the Heart icon to save the playlist to your library.