Tag Archives: *MUSIC

all about that flute

(Post by John Allan, from Bridgetown, Western Australia – March 2021)

I clearly remember the day my big brother brought home ‘the beast’. He was at ‘big’ school and had recently ditched the violin. And here it was. The double bass. Six mighty feet of curved sensuous shiny dark wood like the entrance to Narnia with strings. Bro would draw the bow across the lowest string and I would marvel at the deep sonorous rumble, the vibrations reaching down to the pit of my stomach. ‘Pluck’ like a stone in a well. I was mesmerised. This was the instrument for me.

Like anything in life there were drawbacks. It was 6 foot and I was barely 5. My brother strictly forbade me anywhere near it and I’d get a dead arm just for loitering outside his bedroom door.

Of course the problem’s in the name. Double. Twice as much. Double trouble. Try lugging that thing on and off a corporation bus ? In the mid 70s I would be standing at the bus stop with 2 saxophone cases in my hand. The skinny guy next to me had his guitar in a canvas bag. We were both going to our respective band practices. His was with Orange Juice. When the bus came, I would struggle on and deposit my cargo on the shelf at the front of the bus and sit in front of it only to be shooed away by some pensioner. The whole journey I’d be sitting at the back in a hot sweat staring at my cases thinking ‘some bastard’s going to half inch ma saxes!’

Try this. Put your left thumb in your left ear. Put your 2nd finger on the tip of your nose. Your 1st finger on your brow. 3rd on your lips and your pinky on your chin. That’s the basic first position of the bass. Has your hand cramped up yet?  

I’d really have to think this through.

I played a descent descant recorder in primary, (which was compulsory in all non- denominational schools in the west of Scotland) well enough to get an audition for a ‘real’ instrument. Clarinet or flute was on offer. All I knew of the clarinet was ‘Strangler On The Shore’ by Aker Boke which I thought pretty lame. Did you know Mr Bilk took out his false teeth to play – a big no no for reed players apparently. It buggers up the embouchure – and that is not a euphemism !

Flute was OK. Hadn’t Canned Heat being ‘Going Down The Country’, The Moody Blues been lamenting about ‘Knights In White Satin’ and Jethro Tull ‘Living In The Past’ with the help of the flute ? Flute it was then.

I passed the audition and so began 5 years of weekly flute lessons with a wonderful and patient teacher.

Playing an instrument in primary had a certain credibility about. Secondary ? Nah, not so much. It was now I realised that I had made the wise decision.

The flute fitted neatly into my canvas duffel bag and I thought about the humiliation my fellow musos were about to endure. You might be able to pass off a trumpet case as a small suitcase or trombone case as containing a bazooka but string players were doomed from the off. Which was probably a sort of natural selection thing as a certain number would have had to be culled anyway !

I persevered. Sometimes trying to emulate Jethro standing on one leg swinging the flute like a baton only to scuff the axminster and maim the Capodimonte figurines.

I even got into the Dunbartonshire Schools County Senior Orchestra. From The Vale of Leven to Lenzie, musical teens from across the county were let loose in a large Scottish baronial mansion near Drymen once or twice a year and were expected to make beautiful music together (and that’s not a euphemism though there were some Orchestral Manoeuvres in the Dark!)

Playing the flute led me to play the soprano, alto, tenor and baritone saxophones, piccolo and various whistles (if you can’t be good be versatile) in part-time bands touring Scotland from the mid 70s onwards. Occasionally, I will still try and attempt ‘Syrinx’ by Debussy. One of the most hauntingly beautiful solo flute pieces ever written.

Do I wait eagerly for the double bass solo in the late night jazz club or hanker for the slap of the rockabilly or bluegrass bass fiddle ? You bet I do.

are you being served? (part 2)

(Post by John Allan, from Bridgetown, Western Australia – February 2021)

Previously, I regaled you with tales and musical memories of the characters that accompanied me at J.D. Cuthbertson & Sons Ltd. musical instrument department from the winters of 1975 to 1978. Winters were always coming in Cowcaddens. But there are more bit players and stories to tell.

Across from instruments was ‘electrical’. Radios, TVs, hi-fi and the like, led by the very dapper SNP Man and his trusty man servant Hopalong George (he had a false leg –  PC was the polis back then !)

The Scottish National Party were very fringe in the mid 70s and not always taken that seriously, but SNP Man was on a crusade.

Resplendent in his dark pin stripe suit, he always seemed to be campaigning for something – local government perhaps – and be shaking hands with customers engaging in small talk and kissing babies (which Mums must have found a bit disconcerting when you’ve only come in to look at the range of blenders).

Above the cacophony of our department, the strains of “Flower of Scotland” by the Corries could always be heard and SNiPpy and George could be seen staring soulfully at the Hacker radios bottom lips a quiver.

Around the dog leg were ‘records and cassettes’ and ‘bookings’. Margaret the Mole lived in a glass box and sold theatre tickets to tacky variety shows from her booth. That stunted troglodyte was the prototype to many of the ‘Lord of the Rings’ characters I’m sure.

‘Records and cassettes’ divided generationally between the young Bohemians and the menopausal. Old Mrs Cassette especially seemed to constantly have the troubles of the world thrusted down open her shoulders requiring numerous Askit powders within the working day. Who knew cassettes sales could be so stressful ?

The younger crowd were good fun and an after work drinky poo often ended up in a late night rage (could you rage in the 70s ? ) at some flat in the West End. Van Morrison’s “Warm Love” for you girls, know what I’m saying ?

Up one floor and you were in ‘piano and organs’ and ‘sheet music’ (I realise, dear reader, if you are reading this to your grandchildren – or even children – you have  probably spent the last half hour trying to explain to them what a cassette is and now I hit you with sheet music. I feel your pain)

This was the lair of Clipboard Ken and Sleazy Organ Guy. ‘Slog’, as we’ll call him, is a fellow gigger although he trolled the working man’s social clubs of central Scotland.

He had a totally unique sense of rhythm were he could stop mid verse to adjust various stops on his organ reassured in the knowledge that the rhythm machine would plough through regardless.

“Tie a yellow rib – chicka boom chicka boom – bon round the ole oak – chicka boom – tree. It’s been three lo – chicka boom – ng years, do you sti – chicka boom chicka boom – ll want me ?”

Fortunately he worked solo. There he would be,four nights a week, working the room of old dearies dribbling their advocaat and Babycham, stinking of  Lilly of the Valley and stale urine, raking in the spondilux !

Clipboard Ken (Assistant Manager – or so we thought) would bounce about between departments, clipboard clutched to his breast always looking preoccupied. If at any time you tried to engage in conversation with him he would give you that ‘sorry, but it’s out of my hands’ grimace, point to the clipboard and bounce off like a startled fawn. It wasn’t until he suddenly and unexpectedly passed away and we were discussing the tragic loss of such a dedicated and loyal assistant manager that the manager piped up.

“He wasn’t an assistant manager, he was a sheet music salesman !”

Then there was Old Jim the blind piano tuner. I spent my lunch hours with him making sure he took all his plates off his tray before casting it aside. Many a time Old Jim’s increasing tunnel vision let him down and bowls of scotch broth or eve’s pudding and custard would fly through the air of the Littlewoods staff canteen.

In his younger days, Jim had been a top notch trumpeter and arranger in Glasgow’s big band scene of the 40s. Legend would have it that at one gig, the brass section had a 32 bar break. Jim put his trumpet down, picked up pen and paper and jotted down a whole new brass arrangement for another song while the band played on. Then picked up the trumpet again exactly on cue. (I hope more than the musical among you can really appreciate the total respect I had for this wonderful man)

I saw him shuffling past the hi-fi ‘lounge’ one day and he stopped, changed direction and went into the demo area for the top end gear. I was going to go over because I thought he had become disorientated but then I saw his head nodding, imperceptible at first, but rhythmically moving. This 70 plus year old man was getting into the groove of  George Benson’s “ This Masquerade .” Legend.

Finally the Manager. The Littlewoods plant. (Littlewoods had bought out Cuthbertsons in the early 1970s with the intention of running it down which it did but never admitted to).

We had little to do with the man other than keep an eye open for him on the few occasions he came down to the shop floor.

Out of boredom, one of us had rolled up some end of sellotape and cast it aside. Someone else came along and added more tape to it. After a few days we had something the size of a football and many of  it’s qualities (the stationery budget must have been huge that month)

In quieter moments games of  ‘keepy uppy’ ensued until one day someone (probably me) lost control and the ball rolled over to the foot of the stairs leading up to the offices. Before it could be retrieved, Manager came bounding down the stairs and stopped, staring at the offending object littering the thoroughfare. We all thought ‘that’s it, that’ll be our cards for sure’ but manager looked up, gave a half smile and blootered the ‘ball’ skimming our heads and crashing into the expensive Gibson guitars hanging on the wall.

He then came over, chatted casually about football and Liverpool, where he was from. He was just a regular guy sent to do a job away from his family.

The store closed soon after.

And what about the punters ? Where do I start.

“ Do you have a flute for an 8 year old girl ? ”

“ We have a flute for a 7 year old boy ”

“ OK, thanks anyway “

Customer walks away.

“ Got any mulk ?”  Cuthbertsons Dairies are in Ibrox. Stares at numpty for 30 seconds. Does a slow 360 degree turn taking in views of various guitars, amplifiers, drum kits etc. etc. Fixes stare on annoying urchin.

“Nup”

We had our fair share of stars and celebrities. Billy Connolly signed many a cheque for me. Midge Ure was a regular. Turned up with the rest of Slik one day in baseball strips straight from a photo shoot.

Frank Ifield wandered in when the shop was near deserted and all the staff quietly hummed or whistled “I Remember You”.

Q. Did Devo purchase a Firebird copy guitar and proceed to saw bits off it ?

A. Yes. I got the saw from the workshop for them.

Charlie Burchill from Simple Minds, Brian Robertson from Thin Lizzy, Quo’s Alan Lancaster – lovely fellows all. No egos, no divas – except….

There was a certain Scottish entertainer – let’s just call her Lena Martell – who would come in silk scarf around her head and sunglasses askew and stop at the top of the stairs, hands out stretched, as if waiting for her “da daah” moment. Leaning heavily on the banister she would descend. Obviously she had been at the cooking sherry all morning. One step at a time sweet Lena. She would stride purposely to the cassette department. Looking for an Askit no doubt.

You couldn’t make this stuff up……………………………………………and I haven’t !

Would I have liked to have been one of the first Bachelor of Arts graduates of the jazz course of  the Leeds College of Music ? (assuming I passed the audition and stayed the course).

Certainly.

Would I give up the life experiences and friendships gained as a teenager in the late 1970s on the shop floor of one Glasgow’s iconic music shops ?

NEVER !

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entry level anxiety

(Paul Fitzpatrick – London)

The first part of your life seems to be a never-ending procession of scary entry levels.

Day one at Primary school you feel abandoned and alone. Intimidated by all these desks and chairs and all these other little people, and some big people too.

Day one on the school bus to secondary school, where do you even sit?

Day one at secondary school – oh shit, I’m going to get ducked!

Day one at your first teenage disco/party – why has my Mum dressed me up to look like one of Lulu’s backing dancers?

Day one at your new job – oh God, now they’re going to realise I don’t have 10 O-levels after all.

Of course, the journey usually ends pretty well, with a roll call of honours along the way – Milk Monitor, Seats at the back of the bus, Lots of pals and to cap it all off a Mortgage.

In other words, most of the things we fret about never happen, the problem is, we just don’t know it at the time.

The local youth club was kind of daunting for a 12-year-old, it was mostly ‘older kids’ made up of cool guys or pretty girls who had no time for plebs.

Of course, these ‘older kids’ who were so intimidating were only 14 or 15, but back then 15 was mature, 18 was grown up and 40 was ancient – to a 12-year-old.

Luckily there was a group of 4 or 5 of us, all friends who were to embark on this scary venture together. One of our gang even had an older brother who was part of the cool guy crowd.

Family ties didn’t count for much in this hierarchy however, in this egalitarian bubble our pal was just another wee pleb like the rest of us  

Walking into my old primary one classroom that doubled as the youth club reception was surreal enough, and like a brood of baby ducklings walking into the middle of a gaggle of geese we immediately felt intimidated and out of place.

Not to worry there were lots of activities though……

There was table tennis – “that looked like fun” but all the older boys were playing with more waiting to play.

There was a mini snooker table – “that looked like fun” but all the older boys were playing with more waiting to play.

There was a table football game – “that looked like fun” but all the older boys were playing with more waiting to play.

There was badminton – “that looked like fun” but all the older boys were playing with more waiting to play, and there were even some girls waiting as well……

The other obstacle in these days of ‘winner stays on!’ was a guy, let’s call him Tabby, who was freakishly proficient at any activity that involved eye to hand coordination, Tennis, Badminton, Table Tennis you name it.

He was so good that he would play left-handed sometimes just to make it interesting. He was never cocky about it though and we all just accepted that he’d been blessed by the Greek god of racket sports.

Tabby was only a year older than us, but his skill sets gave him a unique position in the hierarchy that we could only dream about.

And then there was a record player with lots of 45’s and a few albums scattered around, but that was the girl’s stronghold, you had as much chance of infiltrating that little scene and choosing a record as the sun rising in the west.

This guy would have got lynched by the girls at our youth club!

If we were intimidated by the boys then the girls were even more intimidating, mainly because they all seemed so glamorous, and sophisticated and we were just, well, daft wee boys

We needn’t have worried though, they were a friendly bunch and couldn’t have been nicer – looking back they were a bit like The Pink Ladies in Grease but definitely more Frenchie than Rizzo!
They were also quick to help any of the new girls settle in and maybe that’s just the difference between boys and girls.

Things got easier for us after that awkward introduction, we learned not to be so timid, sometimes paying for it, but earning our spurs and becoming part of the order of things.

We eventually got to play some of the table games and realised that the older guys were just treating us the way they’d been treated. It was clear we wouldn’t be rookies for ever and we’d move up the youth club ranking order soon enough.

We could never get near the record player though and looking back I’m glad we couldn’t.

The girls had impeccable taste and curated the best pop-songs of the day. In most cases the girls brought in their own records otherwise as the heid DJ correctly said “you’d be listening to The Alexander brothers and Lena Martell, all night” .

They say that ‘music’s a part of everyone’s autobiography’ and I couldn’t agree more.

I still hear songs today that remind me of that youth club, songs integral to my memories of being a young teenager.

Songs that I heard for the first time on that wee record player in that tiny classroom, the classroom that had been my first entry level challenge.

I made up a playlist of some of those songs and listening to them took me back there.

I closed my eyes, and I was playing Tabby at table tennis again, it was nip and tuck but then I realised he was blindfolded, playing left-handed and standing on one leg, and I still lost!