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Now That’s What I Call 1975

Paul Fitzpatrick: April 2023

1975 is a year that I always look back on with fondness.

I’d love to be highfalutin and say it’s because it marked the end of the Vietnam War or that it was the year that CAT scans were introduced.
But sadly no, my reasons are a bit more mundane and personal than that.

Fundamentally, 1975 for me was a year of transition, from kidulthood to adulthood.
No more dark sarcasm in the classroom, or for that matter, school dinners in the dining hall – it was time to step-up and earn your own bread and make your own pieces.

Looking back, the transition from school life to the workplace was pretty seamless, one minute you’re sitting at the back of the school bus, observing the worker bees, the next you’re part of their colony, although to be fair, there wasn’t a lot of buzzing going on.

You’ll be familiar with the well coined phrase – “the more things change the more they stay the same” – well I can attest to that.
Hail, rain or shine, you still had to get up in the morning, and just like in double-maths, at certain points of the day, you’d be keeping an eye on the clock.

The big difference of course was that wee bundle of cash you received every Friday.

That weekly windfall was life changing….

For a 16 year old it defined adulthood and represented freedom.

Freedom to go out at the weekend.
Freedom to go on holiday with your mates.
Freedom to buy
nice things.
Freedom to go to the ice-cream-van to buy as many Hobos, Blackjacks and Bazooka Joe’s as you liked!

Of course freedom comes at a price and at a certain point you realised the £10 you were handing over to your mum for your keep, probably wasn’t stretching as far as you thought.

Still, those post-school-years spent living at home offered a gentle pathway into the harsh realities of life, although one of the better realities was having a bit of money in your pocket for the first time.

Our parents weren’t daft, they encouraged us to save, to put money away for a rainy day, to start thinking about our futures but there were too many temptations, too many things we wanted, too many things we needed.

Who’s going up the dancing in a pair of hipster flares when all the cool dudes are wearing high-waist baggies?
Who’s sporting last years Harrington jacket when the dapper Dan’s are wearing satin bomber jackets?

I had good mates who would stay indoors every other weekend in order to invest in the right gear but I never saw the point in working hard all week just to mope about the house and watch the Generation Game on a Saturday night.

Compromises had to be made, which is why a handful of us ended up frequenting ‘Paddy’s Market’ on a regular basis.

Wearing my marketing hat, I’d describe Paddy’s Market today as….
A sustainable, alfresco, one-stop-shop for pre-loved fashion‘.

In reality it was an outdoor market selling second hand clothes down one of Glasgow’s more colourful back streets.
Selfridges it wasn’t, but if you knew what you were looking for and could endure the musty bouquet for long enough, then most visits would end successfully with a couple of additions to your wardrobe for the price of a pint.

It was a period of adjustment alright, however I’m sure most of us remember that first year in the workplace favourably – a time when there were no (formal) 360 degree reviews and ‘team-building’ was a Friday afternoon in the pub.

Usually with a jukebox playing some cracking music in the background.

In terms of music, 1975 is a year that tends to slip through the cracks when critics reflect on the decade.
Mirroring my own circumstances perhaps it’s because 1975 was a transitional year, with the established order of things undergoing change.

The Classic Rock bands who had led the way in the first half of the decade were coming to the end of their cycle – although 75 would see Zeppelin release their last noteworthy studio album, Physical Graffiti, ditto Pink Floyd with Wish You Were Here.

Prog-rock giants like Yes and Genesis were undergoing key personnel changes and a lot of the Melody Maker big-hitters like ELP, Jethro Tull, Black Sabbath and Deep Purple were not shifting albums in the same numbers they used to.

Glam rock had come to the end of its yellow brick road with Bowie moving to the US in search of Fame and his close friend Marc Bolan’s best days were sadly behind him.

Disco was bubbling under but the halcyon days of Studio 54 were still a couple of years off and Disco in 75 was confined primarily to the New York underground gay scene.

Punk, in the meantime, was still a twinkle in Malcolm McLaren’s eye with the first incarnation of the Sex Pistols playing Monkees and Small Faces covers whilst learning to play (or in some cases, hold) their instruments.

One new sound that did come to the fore in 75 was Blue Eyed Soul, a term given to white artists producing a credible R&B sound.

Hall & Oates, the Bee Gees and British acts like the the Average White Band, Robert Palmer and Kokomo were at the fore whilst established artists like Bowie with “Young Americans” and Elton, with his Billy Jean King tribute – “Philadelphia Freedom”, were dipping their toes into the blue-eye lagoon.

Smooth waters that would later be navigated as ‘Yacht Rock’.

Kokomo perform Bobby Womack’s “I Can Understand it” on the OGWT

Another category destined to connect with Yacht Rock, was Soft Rock, a West Coast sound typified by bands like Fleetwood Mac, The Eagles and Jefferson Starship.
1975 proved pivotal for Fleetwood Mac and The Eagles who both recalibrated to a sound which would propel them to mega success soon after, with Rumours and Hotel California.

1975 was also the year of Funk, with Earth Wind & Fire, The Ohio Players, The Isley Brothers, Hamilton Bohannon, The Fatback Band and George Clinton’s Parliament all finding their groove whilst maintaining the James Brown tradition of playing ‘on the one‘.

Shining Star – Earth, Wind & Fire


So was 1975 a classic year culturally, or just a memorable year for this school leaver?

When critics talk about the great years in music, 1975 rarely warrants a mention with 1971 in particular receiving most of the accolades, but in hindsight I think 75 has a lot going for it.

Pre-punk and post-prog, it was a year of evolution with new sounds and genres coming to the fore and when I was looking through my albums of the year I was struck by how much diversity and quality there was from a year that no one talks about much.

My top 10 albums from 1975

  • That’s The Way of The World: Earth, Wind & Fire
  • Katy Lied: Steely Dan
  • Kokomo: Kokomo
  • Physical Graffiti: Led Zeppelin
  • The Last Record Album – Little Feat
  • The Hissing of Summer Lawns – Joni Mitchell
  • Pressure Drop – Robert Palmer
  • Fleetwood Mac – Fleetwood Mac
  • Mothership Connection – Parliament
  • Live! – Bob Marley & the Wailers

Honourable Mentions:
Still Crazy After All These Years – Paul Simon
Wish You Were Here – Pink Floyd
Cate Bros: – The Cate Brothers
Born to Run – Bruce Springsteen

Trenchtown Rock – Bob Marley & the Wailers

Since we’re digging into the culture it turns out 1975 was a pretty special year for Movies too.

Whilst Jaws ensured that everyone from Girvan to Dunoon was counting their toes after heading ‘doon the watter’, the rest of us were perfecting our best French accents in homage to Peter Sellars’ latest escapade as Inspector Clouseau.

Both good films but only one made my top ten.

My top 10 movies from 1975

  • The Godfather Part II
  • One Flew Over The Cuckoos Nest
  • Young Frankenstein
  • Monty Python and the Holy Grail
  • Dog Day Afternoon
  • Race With the Devil
  • Rollerball
  • Shampoo
  • Jaws
  • Hard Times
Young Frankenstein – one highlight of many


I know, I know, any excuse to include a playlist, so here you go, a selection of 1975 highlights….

The Ghosts of Christmas Past (and Present)

Paul Fitzpatrick: London, December 2022

I always thought there were three ghosts in Dicken’s A Christmas Carol, but there’s actually four – the ghost of Scrooge’s partner Jacob Marley and the ghosts of Xmas past, present & future.
This ties in neatly with my theory that as we move through the stages of life there are four phases of Christmas….


Stage One – I Wish It Could Be Christmas Every Day

I couldn’t say for certain when I first became aware of the magic of Christmas, but when I did, it all seemed too good to be true.

Toys, pantomimes, comic annuals and selection boxes – a seasonal novelty which offered more sugar in a day than you normally consumed in a month….

The Wizzard of Xmas, Roy Wood, wasn’t wrong!

Looking back, you could be excused for thinking that the Santa concept is based on some form of cult indoctrination – ‘believe and you will be rewarded’.

So of course, we believed!

The big fella only popped down our lum once every twelve months but like the Sword of Damocles, his presence was evident throughout the year.

“Your report card better be decent if you’re expecting Santa to visit this year

Machiavellian in the extreme, but it worked and we all went along for the ride… even in the face of logic.

Then, when we were old enough we took onboard the religious aspects, about the Nativity and the fact that Santa was a moniker for Saint Nicholas a fourth-century do-gooder.
It became obvious that Santa and God had a lot in common – both omnipresent with the power to punish or reward.

Any doubts we harboured were unspoken, there was simply no up-side to being Santa-agnostic…. better to keep schtum, play the long game, and reap the rewards.

Plus, this was our parents and grandparents we were talking about, if we couldn’t trust them, who could we trust??



Stage Two – Who Took The Merry Out Of Christmas

But then it happened.

I can’t remember how it happened or exactly what age I was when it happened, but sure enough the cat got out the bag, and any suspicions we had were confirmed – The big fella was a hoax!

In truth, we saw it coming, but it was still unsettling and was exacerbated by the realisation that all the adults we’d trusted in our life had been playing us like fiddles.

For some poor souls it definitely triggered an existential crisis….

“How about God, is he real then”?
“And the Tooth Fairy? Am I still going to get recompensed for all the teeth I’m about to lose due to these delectable selection boxes”?

On the plus side, once we got over the subterfuge, it sank in pretty quickly that not only were most of the seasonal benefits still in place, they were about to be super-charged with interesting new additions like… Xmas discos and the Kelvin Hall Carnival.



Stage Three: It’s not Christmas until Hans Gruber falls off the Nakatomi Plaza

Moving into the teenage years, we faced a different kind of Christmas with Santa out of the picture.

There were some benefits though.
Like discovering the best social lubricant known to (awkward) teenagers, since tequila – Mistletoe!

Mistletoe – a parasitic plant, with poisonous berries and mystical powers that empowered the shyest amongst us to (attempt to) snog someone we’d never spoken to in our life before.

The transformation was incredible.

Upon sight of the berried twigs timid boys transformed into Warren Beatty and demure girls, Mae West.

As we transferred into the workplace leaving our youth club discos behind, December became a malaise of social occasions and you learned pretty quickly that it’s possible to get too much of a good thing.
(btw, whatever happened to Andrews Liver Salts?)

It was also around this stage that you realised that the 25th of December had transformed from being the most exciting day of your young life to one of the dullest.
Stuck indoors with nowhere to go – this was lockdown 70s style, everywhere was closed on Xmas day in the 70s and there was no Scalextric or Ker-Plunk under the Xmas tree to wile away the hours any more.

By this point the essence of Xmas as you knew it, had vanished. There were no more surprises – unless someone thought outside the box and bought you something other than soap-on-a-rope.

Stuck in the house, the new highlight of Xmas day was whatever blockbuster was being premiered on TV that year.

In the mid 70s this would have been a Hollywood star vehicle like The Towering Inferno or The Poseiden Adventure.

In recent years, the Xmas movie of choice for the masses has been Die Hard…

Yippee-Ki-Yay mo-fo!


Stage Four: Step (Back) Into Christmas

Then, just as you’re getting used to the idea that Xmas is nothing more than a capitalist racket and the primary cause of ulcers, kids come along, and whether it be your own, or nephews or nieces, you start to experience Christmas through their eyes, witnessing the spontaneous joy in their innocent little faces as they embark their own Christmas journeys.

And before you know it, you’re getting jumpers and gloves for Xmas and you’ve stepped into your parents shoes, where establishing your own Xmas family traditions is part of the gig.
For us it’s the usual stuff – watching It’s A Wonderful Life, playing Phil Spector’s Xmas album, listening to the Queens speech and being a bit too competitive in the Xmas-day, family quiz.


I’m guessing the four phases of Christmas are still relevant in some form or another for millennials, although I’m pretty sure that the digital age and the new licensing laws have moved things on a bit from the 70s.

What’s always been around however is Christmas Songs, and the 70s produced a few decent tunes.

My go-to comes from Xmas 73, it’s not the deepest or the most meaningful, but it takes me back to a happy place and encapsulates the season of goodwill.

So merry Christmas one and all
There’s no place I’d rather be
Than asking you if you’d oblige
Stepping into Christmas with me



No Surprise then that Elton makes it onto my playlist of Xmas songs I listened to in the 70s.
In the words of Noddy Holder…. It’s CHRISTMAS!!

Obligatory 70s Xmas Playlist…

18 With A Bullet – Ain’t No Sunshine by Bill Withers

Paul Fitzpatrick: London, June 2022

In 1971, when Bill Withers, already in his thirties, recorded his signature tune, ‘Ain’t No Sunshine’, he was still gainfully employed in a factory making toilets for Boeing 747’s.

Withers who grew up with a debilitating stutter had only picked up the guitar a few years earlier. Inspired to play after attending a Lou Rawls gig, he was impressed that the soul star could collect a $2,000 fee for 90 min’s work, as well as having his pick of the attractive female fans in attendance.

Driven to change his life for the better, Withers bought a second hand guitar from a pawn shop, taught himself to play and started writing his own songs.
He saved up to make a rough demo which he hawked around LA until an independent label recognised his talent and hooked him up with producer Booker T. Jones (from Booker T & the MG’s fame) to record his first album.

Withers, who at this point had never set foot in a recording studio was intimidated by the environment and the established session players assembled, and on the first day of recording ambled up to Booker T to ask him who was going to be singing the songs he’d written.

“You are” replied Booker T.

Unnerved, and out of his comfort zone, Withers found it tough to relax until Graham Nash who was at the sessions, encouraged Withers to chill-out and bolstered his confidence by telling him that ‘he had no idea just how good he was‘.

Armed with a notebook of all the songs he’d written to this point, 10 tracks were selected and the album was recorded in a few short sessions. The picture on the album sleeve was taken during a lunch break at the toilet factory, Withers posing lunch box in hand.

One of the songs on the album, ‘Ain’t No Sunshine’, had been inspired by a movie Withers had watched on TV called ‘Days of Wine & Roses’, starring Jack Lemmon and Lee Remick about a doomed relationship.

The song was actually unfinished and a verse short when he came to record it so as a vocal placeholder Withers spent the entire 3rd verse repeating the words ”I know”, however, when they heard the end result they liked it so much that they kept it as is.

As the album’s stand out track it was released as the debut single, winning the 1972 Grammy for the best R&B song and propelling Withers into the mainstream.


The song crossed over, storming the pop charts, and when it went gold on its way to selling a million copies, Withers was presented with a gold toilet seat by his record label, as a symbol of how far he’d come in such a short space of time.

Withers next album released a year later, was primarily made up of songs from his notebook that hadn’t made it onto the first album, and included two top 10 hits, ‘Lean On Me’ and ‘Use Me’ .
Withers would go on to record six more albums and win another two Grammy’s.

In 1988 I was fortunate enough to see Bill Withers in concert at the Hammersmith Odeon. I was immediately taken by how relaxed and engaging he was, sharing stories between songs and charming the audience.

He ran through all his classics, was note perfect, and it all seemed so effortless to him.
As we watched him perform with the audience in the palm of his hand, we had no idea that this would be his last tour and one of his last ever live performances.

He would drop out of the music scene soon after; weary of record label constraint’s, and frustrated that they spent more budget and energy promoting a novelty album by Mr T from The A Team than his latest work.

Withers was nominated to the Rock and Roll Hall of Fame in 2015 and although he attended he didn’t perform, instead, asking his friend Stevie Wonder to perform ‘Ain’t No Sunshine’ while he sat by his side.

The song has become a standard and there are of course multiple cover versions from Herb Alpert to UFO but two of the best are live performances that have been captured on camera.

The aforementioned Stevie Wonder’s performance at the Rock and Roll Hall of Fame and an Unplugged version by Paul McCartney with Hamish Stuart of the Average White Band on vocals and McCartney on drums.

Paul McCartney with Hamish Stuart
Stevie Wonder

Bill Withers passed away in 2020, aged 81, but his legacy and his signature song live on.

18 With A Bullet: Horse With No Name by America

Paul Fitzpatrick: London, April 2022

Selected 70s hits from across the pond

If like me you thought ‘Horse With No Name’ must have been written under a star-kissed New Mexico sky by a young troubadour then you’d only be half right.

It was actually written in a London bedsit and recorded at the home of Arthur Brown (yes, him of “Fire, I’ll take you to burn“) by Dewey Bunnell who was one third of a trio who imaginatively called themselves America because they were the sons of American servicemen stationed in Britain.

By 1971, the band still in their teens, had already released their debut album without much success and were packed off to Arthur Browns home-studio in Dorset by Warner Brothers with the brief to come up with a hit single.

Inspired by Salvador Dali paintings of surrealist deserts and fuelled with memories of growing up as airforce brats on military bases in Arizona and New Mexico. Early versions of the track were titled ‘Desert Song’ with Bunnell realising that the desert symbolised the tranquility he was searching for whilst the horse represented the means to reach this tranquility.

Released in December 1971, the song dovetailed perfectly with the singer-songwriter vibe of the time, which no doubt helped it to race up the UK charts, early January 72.

On the back of the songs European success, the bands debut album was re-issued to include the single and by March of that year, both the single and the album had reached the respective number one spots in the US charts, catapulting them to instant fame.


So far so good, but this rookie band and their mellow ‘soft-rock’ anthem would hit a few speed bumps along the way to the top of the charts.

On initial hearing, a large majority of people thought they were actually listening to Neil Young and when they realised it was a bunch of rookies mimicking their idol it resulted in a backlash from Neil’s loyal army of fans.
As fate would have it when the song eventually did get to number one, the record it knocked off the top perch was, you’ve guessed it, Young’s ‘Heart of Gold’.
(get it up ye Neil!)

Neil and his followers were far from happy that he’d been trumped by these young imposters, but to be fair, Bunnell never hid his admiration for Young and admitted that he’d always been a big influence on the band.

Apart from the accusation of plagiarism, the band also had to fend off allegations that the song contained sinister undertones, namely that the ‘Horse’ in the song, was a (not so subtle) reference to heroin.
Accused of promoting narcotics, radio stations in Kansas banned the song due to this misplaced reasoning.

Then, if that wasn’t enough, at a time when Bob Dylan’s verbal dexterity was the benchmark for troubadours, the band came under fire from critics and fellow artists alike… (step forward Randy Newman), for the simplistic nature of the songs lyrics…..

There were plants and birds and rocks and things

In his defence Bunnell explained that he was a teenager when he wrote the song in a mates bedsit and it was completed in under two hours as the lyrics and melody just came to him, as if he’d awakened from a dream.

Before starting this piece I wasn’t aware of any cover versions of note until I discovered that Michael Jackson had sampled the main acoustic riff from the song for a track released posthumously, called ‘A Place With No Name’.

It’s actually worth a listen, the trademark MJ grunts and yelps combined with the original two-chord backing track shouldn’t really work, and maybe they don’t, but it’s an interesting coming together.

Michael Jackson
Janet Jackson

This of course wasn’t the first time a Jackson family member had sampled a track by the band.
Janet Jackson also sampled America and their song ‘Ventura Highway‘ several years earlier on her platinum hit – ‘Someone To Call My Lover

No wonder Dewey Bunnell is worth a few quid!

Like a lot of classic 70s songs the popularity of ‘Horse With No Name’ has endured and finds new audiences with every generation.

As a recent example, who can forget the viral video of the young Amsterdam couple interpreting the song in their own way during the recent lockdown….

18 With A Bullet – She’s Gone by Hall & Oates

Paul Fitzpatrick: London, April 2022

Selected 70s hits from across the pond

She’s Gone by Daryl Hall & John Oates

I can remember the first time I heard this song….

It was on an overnight coach journey from Glasgow to Blackpool for the September weekend in 1974. The lights on the coach were dimmed and the sax solo and wah-wah guitar seeped into my consciousness as I was entering that transitional stage from wakefulness to sleep

I went to buy the single as soon as I could but on the advice of the record store I ended up buying the album, ‘Abandoned Luncheonette,’ as it featured an unedited version of the song.

That turned out to be one of my smarter decision as it’s still a favourite to this day.

Despite high hopes the single and album sank without trace and Hall & Oates disappeared from the scene.
You can’t keep a good duo down however, and they came storming back in 76 with a stunning blue-eyed soul classic called ‘Sara Smile’ which would become a mega hit for them in the US.

On the back of this new found success, ‘She’s Gone’ was dusted down and re-released, and started to get the airplay and credit it deserved, becoming their next big hit.

The song, co-written by the duo was inspired by a New Years Eve date that never happened when John Oates got stood up and returned to his New York apartment alone and despondent, but with an idea for a song.


The resultant track and album was produced by the legendary Atlantic producer, Arif Mardin who’s credits include Aretha Franklyn, The Average White Band, George Benson, Chaka Khan, Carly Simon, Donny Hathaway and The Bee Gees.

If the song deserves high praise then it’s fair to say that the home-made promotional clip they made to support it in 1973 is not in the same league.

To put it in context the video was the duo’s two-finger response to their home town Philadelphia’s version of Top Of The Pops, and a request by them to lip-synch to the song during a live studio performance.

Aggrieved at the thought, Hall & Oates made their excuses, cut the home made video in an afternoon and sent the clip to the show.


On viewing the video the show refused to play it and were so offended by its content that they banned Philly natives, Hall & Oates from ever appearing on the show again, whilst also trying their damnedest to get the song banned from every radio station in Philly.

The video features Hall & Oates, their road manager and Sara Allen, Hall’s girlfriend at the time and the very same Sara from ‘Sara Smile’.

There are a few decent covers of ‘She’s Gone’, including a Lou Rawls version, but the best known is by the American soul/disco band, Tavares who’s version provided them with their big breakthrough hit in 1974.

In fact, when Hall & Oates re-released their original version of ‘She’s Gone’ two years later in 1976, most people complimented them on a great cover of a Tavares song!

Hall and Oates never looked back and would go on to become the most successful duo of all time with six number ones, eclipsing Simon and Garfunkel and the Carpenters.

It Must Be Love, Love, Love…

Paul Fitzpatrick: London, February 14th

For those of us a bit longer in the tooth, Valentines day has turned into a bit of a routine if we’re being honest.

Gone is the nervous anxiety we used to experience from dispatching a Valentine card to a teenage crush who’d no clue you’d been admiring them from afar…. or at least from the other side of the playground.

Unfortunately those heady days are in the dim and distant past, and the euphoria has been replaced by a tired and trusted template for most of us….

Step 1)
Try to write something witty in said card that’s neither too flippant or too soppy, oh and something different from last year (if you can actually remember what you wrote 12 months ago!).

Step 2)
Procure an over-priced bunch of flowers, inflated by 50% for the special day… but never from a petrol station (we’ve all learned that lesson the hard way!)

Step 3)
Source a romantic dine-in meal for two from your favourite supermarket complete with customary Prosecco and chocolates.

Whilst we all appreciate, nay expect, a Valentine card from a long-term partner, if we’re being honest, it’s akin to receiving a birthday card.

As we all know, the authentic Valentine experience centres on intrigue, ensuring that all the fun is in the detective work…. looking for clues to uncover the secret admirer.

I’m going back 50 years or so here of course to when we were impressionable teens and such things were deemed important.

I did receive one anonymous Valentine card… when I was 13, but I didn’t dare think about who it was from until I forensically compared the handwriting to my Mum’s in order to rule her out of the equation.  

I’ve still no idea who sent it but thank you whoever you were, I should have framed it… although having a 50 year old Valentine card hanging up in your living room wall would be a bit weird.

I also sent one anonymous Valentine… to a girl in Primary 7, I say anonymous but when I walked into class that day with a big chunk of hair missing because someone had convinced me that enclosing a ‘lock of hair’ was a Valentine tradition…. I probably gave the game away.

With no comprehension of how meagre a ‘lock of hair’ should be, I struggled to close the envelope due to the mass of curls I’d tried to wedge into the card.
I imagine the curls sprung to life like a jack in the box as soon as the envelope was opened, scarring the poor girl for life.

One thing I remember about Valentines back then was the trend to utilise every inch of space on both the card and the envelope with messages, acronyms and rhymes.

Classics like –
Postie postie don’t be slow, be like Elvis, go man go”

Or

SWALK (Sealed With A Loving Kiss)

The origin of acronyms on envelopes stems from soldiers writing to their sweethearts during the war, using coded initials to convey secret messages.
Some acronyms were sweet like HOLLAND (Hope Our Love Lasts And Never Dies) whilst others were a bit more risqué like NORWICH (Nickers Off Ready When I Get Home).

We were normally en-route to school when the postman came a-knocking on the 14th Feb, which gave opportunity for some hopeless romantics to day-dream about an avalanche of mail waiting for them on their doorstep.

For a good mate of mine this scenario actually happened, although it wasn’t on the 14th of February.

Unbeknown, an ex-girlfriend who wasn’t best pleased with my pal sent his picture, a dewy-eyed story about him being lonesome, and a heart-felt request for female pen-pals, to one of the popular teen mags of the day. When he got home from school his Mum greeted him at the door with a sackful of mail and a hearty – “what have you been up to now, you little shit?”.

Of course, at the time he had no idea what was going on, but he still had hours of fun ploughing through his ‘fan-mail’, replying to a selected few.

Coming home to a bagful of fan-mail from strangers who thought you were cute must have been uplifting, but I suspect he, like the rest of us, probably falls into one of three camps when it comes to Valentine’s Day now…

Camp 1)
It’s a scam and I refuse to be ripped-off ’, brigade.
This guy is normally single, or soon will be!

Camp 2)
I’m a hopeless romantic, and it’s a special day’, brigade.
This guy is definitely single!

And perhaps the most popular….

Camp 3)
I better make an effort or else I’ll be in the shit’, brigade.

To which I am a fully paid-up member!!

Happy Valentines Day to all….

In Praise Of Lunch

Paul Fitzpatrick: London, January 2022

It came to my mind recently that lunch tends to get overlooked these days.
Brunches & Suppers are regularly championed by Nigella and Jamie, we’re constantly bombarded with dinner ideas on MasterChef and up until intermittent fasting came along we were hoodwinked into thinking that ‘Breakfast is the most important meal of the day’.

By the way, do you know who’s credited with that oft-repeated and very famous quote?
None other than John Harvey Kellogg…. yeah THAT Kellogg!

Subsequently, lunch has dropped down the ‘square meal’ league table into the relegation zone which is a bit of a comedown.
Once upon a time it used to run away with the title but that was before Gordon Gekko’s “lunch is for wimps” claim in the movie Wall Street.

In its glory years lunch was called dinner, it was the main meal of the day and was eaten any time between late morning and mid afternoon. Then the industrial revolution came along at which point sustenance was required between morning and afternoon shifts to enable workers to sustain maximum effort throughout the day, hence the regimented one hour lunch break, we know now.

Cut forward to today and lunch for many consists of a quick sandwich in front of a computer screen, checking out social media and looking at Nigella’s recipes for supper, or if you’re male, and of a certain age, just checking out Nigella!

Back in the 70s however, when we were at school or newbies in the workplace, lunch WAS the most important meal of the day… by a long chalk.

Maybe it was by default… after all breakfast was relatively basic, a plate of cereal or a slice of toast before you ran out the door to catch the school bus.
Dinner, on the other hand, was a bit more formal in most households, the table would be set but you had to wait till your faither got home.

To be honest dinner was a bit hit or miss in our house.

You see, my dad was an offal man for his offal – kidney, Tongue, liver, tripe, all the stuff that was popular in its day and made fancy window dressing at the butchers…. but offers good reason to turn vegetarian now.

It got worse though, if the raw materials my mum had to work with weren’t great, then her cooking skills only compounded things.

I love my Mum to bits, but she was no Fanny Craddock and trying to mask the stench of charred liver from my favourite Fred Perry polo shirt, (by splashing on copious amounts of Brut) before heading out to impress, was not a pleasant experience.

So, whilst breakfast was on the hoof and dinner could easily have consisted of hoof…. lunch was always to be savoured for a few reasons…..

Firstly, although we may not have been enduring the same hardships as our distant relatives from the 1800’s, lunch still broke up the day perfectly – and if like me you were stuck in a dull lesson pre-lunch, then you could start counting down to the lunchtime bell before meeting up with your pals to eat, blether, and release some of that pent up energy.

Secondly, free-will, which was in scant supply back then, came to the fore as we were able to take ownership of our daily lunching choices.


You could go to the canteen for school dinners if you were seduced by the day’s menu offering, (beef olives was always a favourite), or if you fancied a wee donner (the walk not the kebab) then you could take your lunch money and saunter down to Bearsden Cross to the bakers for a sausage roll or a sandwich…. always accompanied by a carton of ski yoghurt for pudding.
It was probably the best hour of most school days!

Bearsden Cross pre lunchtime

School holidays meant lunch at home, and after a bit of trial and error, home lunches became a slick operation, i.e. straight out of a can – Campbell’s chicken soup and cold Ambrosia Devon Custard…. tasty, low-maintenance stuff that even I could prepare without the need to splash any Brut on afterwards.

It’s strange but I can’t remember much about school lunches at primary school, I lived about 15-20 min’s walk from school so I doubt that I lunched at home every day. I do remember a few kids having packed lunches though and thinking that themed lunchboxes were cool, but I don’t think soup and custard would have travelled that well.

Another weekly treat during school holidays was going to Drumchapel swimming baths, not so much for the eye-stinging chlorine or the daredevil belly flops off the dale, but rather for the delicious pie & beans in the adjoining canteen afterwards.

As we moved into the workplace, lunchtimes were a saviour, it broke the day up and gave you time to regroup and recharge your batteries.

I worked in a small office in central Glasgow when I left school. There was just 5 of us and I was the youngest by some 20 years, so come lunchtime I was a lone-wolf – until my good mate Billy Smith started working in Frasers in Buchanan St a few months later.
This was a tremendous turn of events as I used to go with Smiddy to their excellent staff canteen where we’d fill our faces and gawk at all the elegant cosmetic girls, before meandering about town to wile-away the rest of the golden-hour.

The iconic gallery at Frasers Glasgow

It was a splendid arrangement and when Smiddy told me he was thinking of quitting his job for a more lucrative one, I did what every good mate would do in the same situation….. and tried my darnedest to convince him to stay.

what about the great staff discounts”
“what about all the pretty girls in the cosmetics dept”
“what about the opportunities for promotion”

“what about the fact you’re working in an iconic building”
“what about – the subsidised staff canteen for Christ’s sake!!

Of course, Billy very selfishly took up the life changing opportunity, leaving me to lope around as a lone-wolf once more, although I used to regularly meet my mate Joe Hunter on a Friday and we’d head to Paddy’s Market to get our outfits for the weekend.
If ever clothes required a splash of aftershave, it was those ones!

As enjoyable as all those lunch times were back then, you knew the pleasure was temporary, you always had an enemy – the clock!

As you get older and escape the constraints of the clock, lunch offers a great social opportunity to catch up with friends and family and the lunches I look forward to the most now are the leisurely ones you have on holiday. Looking out at a sun-splattered, turquoise ocean, with a cold beer or a chilled glass of wine accompanied with never-ending portions of seafood or salty tapas… living in the moment with nothing to rush back for.

All hail lunch….


Kiss On My List

Paul Fitzpatrick: London, January 2022

I reckon most people can remember who they shared their first romantic kiss with… although perhaps we’re reaching an age now where some of us are struggling to remember who we shared the last one with!

That first kiss can be a defining moment, a conclusion to months and in some cases years of anxiety…. they don’t call it teenage angst for nothing.

For our troop of wannabe Romeos, any thoughts of engaging with the opposite sex didn’t emerge until the lead up to the Qualifying (Quali) Dance in primary 7. Up until then we had more important things to focus our blossoming brains on, like Football, Subbuteo & Airfix models.

Whilst the Quali Dance appeared to be the tipping point for this seismic shift in interests, the real catalyst I think was the onset of puberty which was having its impact on the fairer sex as well…. why else would they show any interest in a monosyllabic boy sporting a matching shirt & tie abomination hand-picked by a mum who thought Peter Wyngarde was a style guru?

The Quali Dance of course was a school ritual and part of said ritual was to ‘escort someone to the dance’… except it never really worked out that way.
There were no limousines, corsages, bowls of punch or live bands like the feted American high-school proms…. just teuchter music, unbranded fizzy-pop, dollops of awkwardness and an evening that seemed to go by in a flash.

Despite all the talk and bravado I don’t remember anyone from our year popping their ‘kissing-cherry’ at the Westerton Primary School, Quali Dance of 1970.
Not even our resident man-boy…. a lad with a voice like Barry White and a full thicket of short & curlies at age 11, who’s hormones were obviously running amok whilst the rest of us were popping champagne corks if we located a single strand in the nether regions with a magnifying glass.

I didn’t think about it at the time but looking back I imagine the dynamics in the girls changing rooms were pretty similar.

Our transition to the ‘big school’ several months later presented fresh opportunities and challenges. There were lots of new people on the scene now and more social events…. however, this just seemed to ramp up the pressure as you sought to avoid being the last in your peer-group to land that first smooch.

There was also some anxiety around the question of technique – kissing wasn’t something you could practice by yourself (or with a mate!) like football, so how could you tell if you were doing it properly?

What if you banged her teeth or bit her lip or she swallowed your chewing gum? The word would surely get out and no one would ever want to kiss you again.

You’d be kiss-shamed and canceled!

There were one or two awkward near misses before the big event took place, notably a spin the bottle session with an older crowd, resulting in a couple of consolatory pecks to the cheek and forehead… which wouldn’t have been so bad if I hadn’t been sitting eyes closed, lips pursed, in anticipation.

As it turned out, my first kiss was with a girl I’d known since primary 3 and although it wasn’t articulated, I think we were both motivated by a shared need to get this kissing monkey off our respective backs.
In that respect I suppose it was more a kiss of convenience than an explosion of passion.

Don’t get me wrong, it was nice, and I’m pretty sure I didn’t chip her teeth or block any airways with my Wrigley’s Juicy Fruit, but I don’t remember there being any fireworks…. just a joint sense of relief before we went our separate ways to share our news.

I think we appreciated we were in the same boat…. it was a rite of passage for both of us.

Fast forward a couple of years and the kissing floodgates were well and truly open now – I remember this bizarre ritual at local disco’s where revellers would just start snogging mid-song and I’m not talking about the slow songs at the end of the evening, as that was par for the course.
There was no verbal interaction, no please or thank you’s, no “you’re looking ravishing tonight”…. just a tap on the shoulder, two and a half minutes of shuffling around to 10cc or Cockney Rebel followed by a 30 second snog and then you’d be on your merry way before the DJ played the next song…. I’ve often wondered if it still happens today?

This was an era when you would go to the cinema ostensibly to ‘winch’ your way through whatever blockbuster was showing that week.
Bearing in mind that double bills were the norm in the 70s, that was a lot of smooching, particularly as you only came up for air when the lights came on for the obligatory half-time refreshments… Kia-ora and choc-ice.

I think it’s fair to say that the back rows of the local cinemas were always chock-a-block on a Friday and Saturday night and it wasn’t to get a panoramic view of the screen

This was also the period when ‘love-bites’ came into prominence (as did polo-necks, funnily enough) with girls applying makeup (and toothpaste?) to conceal their perceived marks of shame whilst boys strutted around like Mick Jagger, parading their vampiric contusions as a badge of honour.

There was plenty of anxiety around this practice too – what if I suck a bit too hard and draw blood, will I turn into a bat?

It was a curious phenomenon.

Some people even practised the art on themselves (well, I’m guessing the love bites on their arms didn’t get there any other way!) whilst others used the suction from a coke bottle or similar to make it look like they’d been party to an amorous encounter… when really they’d been in their bedrooms alone, listening to Gilbert O’Sullivan and waiting for the ice-cream van.

Looking back, love-bites were horrendous things but like tartan scarves, Gloverall duffel coats and first kisses, at a certain point, we all had to have one!

Old Grey Whistle Test (OGWT) 72-79: TV Hall of Fame Induction.

Paul Fitzpatrick: London, November 2021.

Back in the early seventies there was only one provider of contemporary music to the masses – The BBC.

Radio One ruled the airwaves unchallenged from 1967 until the commercial radio stations came along in the mid 70s, although to be fair if you could get a decent signal, Radio Luxembourg was a reasonable late night alternative… until you got fed up listening to adverts for Timotei Shampoo and Aqua Manda cologne.

In terms of TV, the Beeb had it all sewn up with its weekly chart show aimed at the teenage market – Top of the Pops, which launched in 1964.
Seven years later the OGWT came along and focused on the more discerning album buying audience.

TOTP had its moments of course, but epiphany’s like Starman or Virginia Plain were rare and for every ‘Jeepster” there was a ‘Long Haired Lover from Liverpool’

The OGWT on the other hand, was a voyage of discovery, it wasn’t always great but it was always watchable.
The truth is that we rarely knew who was going to be on the show, but it mattered not, we just tuned in and went along for the ride, building our musical knowledge and refining our tastes as we went along.

The OGWT became a weekly ‘event’ and a post-mortem of each episode was mandatory.
I can still remember an attempt to describe the debut performance of Focus to a mate at school who’d missed the show.


“They’re a Dutch quartet with an amazing drummer, an unbelievable guitarist and a guy who looks like Archie Gemmill on keyboards…. who yodels a lot”

I’m not sure he rushed out to buy the album based on my summary.

The show was famous for its live studio performances, but in the early days tracks that couldn’t be performed live were usually accompanied by old black & white film footage, compiled by film archivist Philip Jenkinson.
A couple of those home-made videos left a lasting impression.

The first time I heard Queen was on the OGWT in 1973.
A rendition of ‘Keep Yourself Alive’ soundtracked over a vintage black & white movie clip.

My favourite though was the footage that accompanied Led Zeppelin’s – Trampled Underfoot. I’ve no idea how they synch’d a 1920’s silent movie clip so seamlessly with Zep’s homage to Stevie Wonder’s Superstition, but they pulled it off.

I have too many great memories of the show to mention and have spent many an hour disappearing down OGWT, YouTube rabbit holes but when I reflect on what made the show special, there are a few elements that spring to mind….

1) The OGWT excelled at introducing us to new artists:
Putting aside the broadcasting monopoly that the Beeb enjoyed I still have to credit the show for introducing me to – Neil Young, Queen, Robin Trower, John Martyn, Bill Withers, Joan Armatrading, Talking Heads, Lynyrd Skynyrd, New York Dolls, The Wailers and many more.

2) The show wasn’t just electric, it was eclectic:
If you happened to tune in when – Dr Hook, Rick Wakeman, John Martyn and Mike Oldfield were all featured you could have been forgiven for thinking that the majority of the acts mirrored the presenter, i.e. white men with beards and long hair…. but the show was actually a lot more diverse than that.

Nice!

For instance, it was perfectly normal to have Bill Withers on the same show as Tangerine Dream or Curtis Mayfield with Captain Beefheart.
BB King would feature alongside Kris Kristofferson and Joni Mitchell could be on the same bill as Roxy Music.
It’s fair to say that every musical genre was given a fair crack of the whip on a show where the only criteria was quality.


3) The show produced seminal performances that live on forever:
At the end of the day it was the live studio performances that we all talked about and they remain the iconic moments of the show.
It’s difficult to cherry-pick as there were so many classic OGWT moments, but a few favourites that spring to mind are….

Bowie – Queen Bitch
Little Feat – Rock ‘n’ Roll Doctor
Sensational Alex Harvey Band – The Faith Healer
Roxy Music – In Every Dream Home a Heartache
Gil Scott-Heron – Johannesburg


The OGWT of course was synonymous with whispering Bob Harris and his reign as the main presenter from 1972-79 covered the golden-age of the show.
Nothing lasts forever though, and as the punk movement gained momentum Bob started getting a bit grouchy and wasn’t handling the change of the guard very well…..

Bob and his ‘mock rock’ quip at 4:42

Bob had ‘previous’ of course, labelling Roxy Music as a triumph of ‘style over substance‘. And goofily described The New York Dolls as “mock rock” at the conclusion of a blistering rendition of ‘Jet Boy’….

Harris, subsequently became a target for New Wavers and Punks and narrowly escaped serious injury when Sid Vicious tried to ‘glass’ him in a London nightclub.
Rescued ironically by a team of Procol Harum roadies, Bob escaped relatively unscathed, but suffered cuts, bruises and a damaged ego.

Worn down by the abuse and feeling that he was swimming against the cultural tide, Bob would step down from his OGWT duties soon-after.

The show ploughed on for another 9 years post Bob, with a revolving door of presenters but by then there was bona fide competition from other channels and shows, like C4’s The Tube.

Gone but certainly not forgotten…. Fortunately we can still relive some of the shows iconic moments via clips from the vaults, many of which have millions of views.

So it’s this prime-time OGWT – the ‘Bob Harris years 72-79’, that helped to shape my musical tastes as a teenager that I would propose for the TV Hall of Fame….

A pre-Ziggy Bowie on the cusp of greatness

Ripping Yarns: TV Hall of Fame Induction

Joe Hunter: Crieff, November 2021

Monty Python’s Flying Circus is of course a benchmark for comedy and an example of 70s television at its finest.
A collective that spawned countless TV and cinematic moments of gold and inspired endless playground retellings and re-enactments… from ‘The Ministry of Funny Walks’ to ‘No one expects the Spanish Inquisition’.

John Cleese and Fawlty Towers apart however, the rest of the Python’s solo work tends to fly under the radar.
In comparison, it’s similar in many ways to the Beatles solo projects, which rarely got the appreciation they deserved…. step forward ‘All Things Must Pass’ by George Harrison.

Take Eric Idle’s excellent Rutland Weekend Television, although it hatched the excellent Beatles parody – The Ruttles, it was cut short after two series and was never truly appreciated in the UK.
Likewise, Ripping Yarns by Michael Palin and Terry Jones was restricted to 8 episodes after the initial pilot… the hilarious ‘Tomkinson’s Schooldays’.

If you’ve never seen it, Ripping Yarns was a shameless parody of British culture. To be fair it could be a bit hit or miss, but when it hit the sweet-spot it was as funny as anything that’s ever been on TV.
There were nine 30 minute episodes  presented in the style of Boys Own adventure stories, set in an era when all a chap needed was a stiff upper lip and a healthy dash of derring-do.

The series was tucked away on BBC2 at 9pm on a Friday night but once discovered, it became an essential part of my weekend.

In 1977, Joanna’s Night Club in Glasgow was my Friday night destination of choice, so as part of my weekly ritual I’d get spruced up, go round to my partner in crime Paul Fitzpatrick’s house and we’d watch the latest episode of Ripping Yarns before heading into town, armed with quips from the show still in our head.
Quips I hasten to add that confused the hell out of anyone that hadn’t seen the show (about 99.9% of the population), but would amuse the hell out of us.

My brothers George and David were also big fans of the show and we used to have some very surreal conversations in front of our bemused parents about Spear & Jackson shovels and black pudding (in Yorkshire accents) – as an homage to our favourite episode, ‘The Testing of Eric Olthwaite“.
There are too many great comedy moments in this 28 minute masterpiece, to break down, but the opening 3 minute sequence (below), will give you a taste.

“Black pudding’s very black today Mother – even the white bits are black”.


A Yorkshire banker, Eric was sooo boring that his Father pretended to be French to avoid talking to him whilst his mother would feign bilious attacks or even death.
Heartbreakingly, Eric’s family run away from home to avoid further contact with him, he was just that tedious.

A confused and devastated Eric can’t understand why people find him so dull and you can feel his pain as he protests in his thick Yorkshire accent….
“It were hard to accept I were boring. Especially with my interest in rainfall”

Eric’s obsession with precipitation and shovels drive his family to distraction and ensure he’s friendless but like all good tales there’s a twist… if you’re interested to find out what it is, you can catch the full episode below and become like me… a fully paid-up member of the Ripping Yarns fan club.

The Testing of Eric Olthwaite