Tag Archives: Radio 1

Radio Times

1945 Ekco A22 Radio

“Are you sitting comfortably? Then I’ll begin …”

My introduction to Radio, like many reading this I’m sure, was the iconic weekday show, ‘Listen With Mother.’ Broadcast immediately prior to ‘Woman’s Hour’ it was simply fifteen minutes of nursery rhymes, songs and short stories. (I don’t think my attention span has developed much in the ensuing years.)

This would be early Sixties, but already my interest in Radio had been piqued. As the years passed, my interests would widen, and with televisions in those days taking so damned long to ‘warm up,’ Radio seemed a natural and convenient alternative.

As I matured (?) from a sweet little four-year-old into a still little and also, no doubt, still sweet eight-year-old, I discovered a new catchphrase – one I could use to great effect in annoying my parents on a weekend morning after they’d enjoyed a night out at some fancy-dan Dinner Dance in the town.

“Wakey Wakaaaaay!”

In the same manner a peal of church bells draws many to worship, so this clarion call was the prompt to draw closer by my Dad’s stereogram on a Sunday lunchtime.

Billy Cotton

It’s perhaps strange to now reflect that a lame TV programme such as The Billy Cotton Band Show is at least in part responsible for my love of Radio to this day. Yet, living in a house where the sound of music consisted mainly of, erm, ‘The Sound of Music,’ ‘South Pacific’ or ‘The King and I,’ this was regarded as quite rebellious.

(See me? Punk as f***! Ten years ahead of Rotten, Vicious et al, I was.)

As the Sixties drew on, it wasn’t just Big Band music that grabbed my attention. There were some classic comedy shows to be had too. The one I remember listening to most was, ‘The Clitheroe Kid.’

This was a show centred around schoolboy Jimmy Clitheroe and his family. Jimmy, a diminutive comedian from the Lancashire town that provided his surname, was actually thirty-five years old when his long running radio show started. However, standing only four feet, two inches tall, he often passed for the eleven-year-old character he portrayed.

Jimmy Clitheroe

Listen to an episode entitled: ‘Thinking About A Holiday’ – courtesy of Radio Echoes. (First aired on 27th June 1971)

It would also be around this time I discovered the delights (and horrors) of Junior Choice.… and of course, another often to be repeated catchphrase:

Would it be deemed ‘sad’ to openly admit I still listen to the show each Christmas morning as I prepare the family meal? Songs like these made such a lasting impression!

Then of course, with football playing such a large part in the life of the young (and old) me, it was a regular Saturday ritual, with my Dad, to gather round the radio at 5pm and ‘conduct’ the orchestra playing this gem of an iconic tune:

Honestly, my stomach knots with excitement, when I hear this, even now. I’m right back to a cozy living room on a dark, dreich, late autumnal evening, next door the kitchen windows all steamed up, and our ‘special’ Saturday night meal of spam and beetroot sandwiches toasting under the grill.

(I also still wave my arms around like a loon in time with the music – as I suspect my sadly indoctrinated sons do too.)

Now, as the decade turned, I discovered to the ‘Happy Sound of Radio1.’ I should say that at the age of twelve, going on thirteen, I was myself, ‘fab’; ‘groovy’; ‘happening.’.

In truth, I probably found this modern pop music by accident, catching the handover from Stewpot’s Junior Choice to follow-on DJ Stuart Henry, who would become my favourite DJ of the time.

The more I became aware of what Radio could offer, the more I searched out new sounds and fresh presentations. My little plastic transistor had a very sensitive wheel dial, but with gentle, precise turns, and holding the radio to my ear as I turned through all points in the compass, I could sometimes pick up ‘pirate’ stations like Radio Luxembourg or Radio Caroline.

I thought at the time they offered a greater selection of music than Radio 1 – but then in the mid-Seventies, I stumbled upon John Peel! He’d actually been at Radio 1 since its inception, one of the original DJs, but his shows must have been after my bedtime!

Anyway, better late than never.

(You know that question about who, alive or dead, you’d invite over for a Dinner Party at your house? Peely would definitely be one of my guests. He introduced me to so much new music; new bands; new genres. His shows were an eclectic mix of styles. If there was one track didn’t take your fancy, chances were the next one would be on your wish-list of next purchases.)

The best DJ; the best voice; the best taste in music on the radio … ever!

Though my musical journey was by no means complete, having travelled from Billy Cotton to Teenage Jesus and The Jerks within six or seven years, I at least knew in which direction I was headed.

Without the more specialist stations available nowadays, Radio 1 was required to cater for all musical tastes. One of my favourite shows aired on a Saturday evening, at 5:30pm, as I was getting ready to meet up with pals for a night uptown at The White Elephant Disco.

At this time, I’d generally be laid in a bath tentatively scraping bits of red ash out of a knee wound sustained in that afternoon’s football match. If not, then I’d be showering caked mud off my legs – you don’t want to be lying in a bath of manky water after running a cross country race in the rain!

This was the Stuart Coleman hosted, ‘It’s Rock ‘n’ Roll’ show. It ran for three years from 1976 and was just the job for getting me bopping round the bathroom and in the mood for going ‘up the dancing.’

By the late ‘70s though, it wasn’t just music that had me tuning in to Radio. As a keen fan of baseball, I found that the 1945 Ekco A22 radio I’d picked up at a Scout Jumble Sale (still have it – similar model to that at top of this post) could pick up the American Forces Network (AFN). The time difference meant it was more late-night listening, but I was transfixed by the atmosphere and imagery evoked while listening to commentary of game from Yankee Stadium or Fenway Park.

Baseball on the radio

It was Radio that also introduced me to ‘The Hitchhiker’s Guide To The Galaxy’ in 1978. It aired on Radio 4, so I have no idea how I found it, but that then led me to become a huge fan and reader all of Douglas Adams’ books.

The Hitchhiker’s Guide To The Galaxy

Even today, with the advent of BBC Sounds app, I listen to re-runs of Hancock’s Half Hour (pre-Seventies, I know) and Dad’s Army, of which three series were adapted for radio, and broadcast in 1974 / 75 / 76.

It’s a sad fact and by-product of ‘progress’ that the ‘old’ is usurped by the ‘new’, only to be granted a passing word in history books.

Not Radio, though!

Radio has seen off records; reel-to-reel recordings; cassette tapes; VHS; Betamax; CD; CD-R; MP3. It is now easily holding its own with HD TV; Smart TV; streaming services and podcasts.

Long live Radio, I say!

Wonderful radio
Marvellous radio
Wonderful radio
Radio, radio
Radio, radio
Radio, radio

Post by Colin ‘Jackie’ Jackson from Glasgow – November 2022)

Old Grey Whistle Test (OGWT) 72-79: TV Hall of Fame Induction.

Paul Fitzpatrick: London, November 2021.

Back in the early seventies there was only one provider of contemporary music to the masses – The BBC.

Radio One ruled the airwaves unchallenged from 1967 until the commercial radio stations came along in the mid 70s, although to be fair if you could get a decent signal, Radio Luxembourg was a reasonable late night alternative… until you got fed up listening to adverts for Timotei Shampoo and Aqua Manda cologne.

In terms of TV, the Beeb had it all sewn up with its weekly chart show aimed at the teenage market – Top of the Pops, which launched in 1964.
Seven years later the OGWT came along and focused on the more discerning album buying audience.

TOTP had its moments of course, but epiphany’s like Starman or Virginia Plain were rare and for every ‘Jeepster” there was a ‘Long Haired Lover from Liverpool’

The OGWT on the other hand, was a voyage of discovery, it wasn’t always great but it was always watchable.
The truth is that we rarely knew who was going to be on the show, but it mattered not, we just tuned in and went along for the ride, building our musical knowledge and refining our tastes as we went along.

The OGWT became a weekly ‘event’ and a post-mortem of each episode was mandatory.
I can still remember an attempt to describe the debut performance of Focus to a mate at school who’d missed the show.


“They’re a Dutch quartet with an amazing drummer, an unbelievable guitarist and a guy who looks like Archie Gemmill on keyboards…. who yodels a lot”

I’m not sure he rushed out to buy the album based on my summary.

The show was famous for its live studio performances, but in the early days tracks that couldn’t be performed live were usually accompanied by old black & white film footage, compiled by film archivist Philip Jenkinson.
A couple of those home-made videos left a lasting impression.

The first time I heard Queen was on the OGWT in 1973.
A rendition of ‘Keep Yourself Alive’ soundtracked over a vintage black & white movie clip.

My favourite though was the footage that accompanied Led Zeppelin’s – Trampled Underfoot. I’ve no idea how they synch’d a 1920’s silent movie clip so seamlessly with Zep’s homage to Stevie Wonder’s Superstition, but they pulled it off.

I have too many great memories of the show to mention and have spent many an hour disappearing down OGWT, YouTube rabbit holes but when I reflect on what made the show special, there are a few elements that spring to mind….

1) The OGWT excelled at introducing us to new artists:
Putting aside the broadcasting monopoly that the Beeb enjoyed I still have to credit the show for introducing me to – Neil Young, Queen, Robin Trower, John Martyn, Bill Withers, Joan Armatrading, Talking Heads, Lynyrd Skynyrd, New York Dolls, The Wailers and many more.

2) The show wasn’t just electric, it was eclectic:
If you happened to tune in when – Dr Hook, Rick Wakeman, John Martyn and Mike Oldfield were all featured you could have been forgiven for thinking that the majority of the acts mirrored the presenter, i.e. white men with beards and long hair…. but the show was actually a lot more diverse than that.

Nice!

For instance, it was perfectly normal to have Bill Withers on the same show as Tangerine Dream or Curtis Mayfield with Captain Beefheart.
BB King would feature alongside Kris Kristofferson and Joni Mitchell could be on the same bill as Roxy Music.
It’s fair to say that every musical genre was given a fair crack of the whip on a show where the only criteria was quality.


3) The show produced seminal performances that live on forever:
At the end of the day it was the live studio performances that we all talked about and they remain the iconic moments of the show.
It’s difficult to cherry-pick as there were so many classic OGWT moments, but a few favourites that spring to mind are….

Bowie – Queen Bitch
Little Feat – Rock ‘n’ Roll Doctor
Sensational Alex Harvey Band – The Faith Healer
Roxy Music – In Every Dream Home a Heartache
Gil Scott-Heron – Johannesburg


The OGWT of course was synonymous with whispering Bob Harris and his reign as the main presenter from 1972-79 covered the golden-age of the show.
Nothing lasts forever though, and as the punk movement gained momentum Bob started getting a bit grouchy and wasn’t handling the change of the guard very well…..

Bob and his ‘mock rock’ quip at 4:42

Bob had ‘previous’ of course, labelling Roxy Music as a triumph of ‘style over substance‘. And goofily described The New York Dolls as “mock rock” at the conclusion of a blistering rendition of ‘Jet Boy’….

Harris, subsequently became a target for New Wavers and Punks and narrowly escaped serious injury when Sid Vicious tried to ‘glass’ him in a London nightclub.
Rescued ironically by a team of Procol Harum roadies, Bob escaped relatively unscathed, but suffered cuts, bruises and a damaged ego.

Worn down by the abuse and feeling that he was swimming against the cultural tide, Bob would step down from his OGWT duties soon-after.

The show ploughed on for another 9 years post Bob, with a revolving door of presenters but by then there was bona fide competition from other channels and shows, like C4’s The Tube.

Gone but certainly not forgotten…. Fortunately we can still relive some of the shows iconic moments via clips from the vaults, many of which have millions of views.

So it’s this prime-time OGWT – the ‘Bob Harris years 72-79’, that helped to shape my musical tastes as a teenager that I would propose for the TV Hall of Fame….

A pre-Ziggy Bowie on the cusp of greatness